Arnold Schwarzenegger Quotes

When I look back I either feel I did this mistake while shooting or writing. Eventually you try and make sure you do not repeat the same mistake with your next film. I always feel I could have made the film better.

That's what kids were like then. So I really like the movie [Dude, Where's My Car? ], I think it's genuinely funny, and I wish I hadn't been so arrogant about it. And, of course, I didn't know it was going to be my best work, either.

There are some people who have a low tolerance for criticism. I'm not one of those people.

Sometimes I watch a scene I've written, and occasionally I think, "Oh, for God's sake, shut up."

With each movie [Twilight saga], we went in trying to explore that character a little deeper, or in a different sense. But, at the same time, there was a comfort in knowing that you know this person.

I think you can challenge people, but you don't want to break people down. But you've got to sometimes just pull them aside and say, you know, you're OK but you could be better.

I think the best stories always end up being about the people rather than the event, which is to say character-driven.

I belive power can be used for good, I don't think every form of power is absolute evil. I wish I would have stepped in, and I really regret it. And that's why I really encourage young people who are organizing to speak up.

I think about everyone in my life that was harsh with me or who gave me tough love and told me things that I didn't want to hear in that moment; fortunately it ended up being really good for me and I have nothing but respect for them today and those are the people I return to when I need that real honest advice.

I think that there is no doubt that every experience you have in your life, whether it's playing a character or something else, you bring that to the work.

Once people start to think they've wasted parts of their life, or they're wasting their life as they speak, that means there's going to be great dramatic and comedic tension.

The movies I make tend not to be quite reality but the characters are inspired by real people and they're always very personal.

I think I'm one of those people that needed to be seen by someone else to see myself. But then on the other hand, the way I do my work, I always try to only completely focus on my work, so when I do my work I'm only interested in my character. So I don't have an idea of what it means for my career. So this is why I don't feel like I need to be discovered, because I feel like even without being discovered, I will be fine.

It's a very American trait, this wanting people to think well of us. It's a young want, and I am ashamed of it in myself. I am not always a good daughter, even though my lacks are in areas different from her complaints. Haven't I learned yet that the desire to be perfect is always disastrous and, at the least, loses me in the mire of false guilt?

Never ask people about your work.

The one thing I learned is not to say anything about my own paintings. Keep my mouth shut. You'll never stop hearing what you said. It will come back to you again and again, people will always tell you about it. Even if you were the source of what's wrong with it.

Like, in retrospect, this whole Mini-Album is about itself, and the process of letting go of the fear of what people will think about the music or of me or whatever and just putting it out there. But none of that was intentional at all.

If you choose to do both [acting and directing] on a set, than you're admitting that you understand that everyone is in it for the same goal and it's a collaborative experience. You can't really jump into being an actor, and than direct yourself. At some point, you have to be willing to accept other people's opinions. I think that's helpful. If you try to micro-manage and control all of it, than you're probably heading for disaster.

I was working on other things and I wanted to make a film, and I had some ideas brewing in my head. Brandy's [ Burre] circumstance was such that I didn't really know what was going to happen. That was obviously a surprise, but I knew she was in her mid-to-late thirties and she was starting to really think about her life in a way that really appealed to me, appealed to the women that I know in my life.

When I paint, I never think of selling. People simply fail to understand that we paint in order to experiment and to develop ourselves as we strive for greater heights.

You get kinder when you get into my age range. You think back to how really unkind you were, and how cynical you were and how you tossed things away and you tossed people away, and you didn't care because you were climbing some mountain that you thought you needed to be on top of.

I was thinking about that. I was thinking, this is like our Boyhood; this is like our getting together over 12 years to make - this our Apehood! I mean, this is it! For me, the relationships, all of those things, over such a long period of time now with actors, but also seeing the characters grow, develop, and change, and go through different situations.

I think that those of us who are ordinary disappear easily into the backdrop of life and we take things for granted. We often wake up in our lives and wonder how we got there. But the characters I create, the people I am drawn to, are quite extraordinary (and not always in wholesome ways), and they offer us the chance to understand who we really are and how we became who we are.

When you do a normal film, you play the character for three months and you say goodbye to him. And then, when you watch the movie, you say, "I wish I could have done that differently. I wish I could have added this to it."