David Cassidy Quotes

I've always been a good ensemble player.

That said, everything's important, and every musician who plays on the record is an integral part of it.

When I'm a part of someone else's creative process, it's all about facilitating their ideas and hopefully bringing their perspective and making it a part of a song.

I think getting the rest of the guys in the band to write is important.

What's great about collaborating is getting to work with wonderful people. That's what theatre is about: other people getting you to give your best, and getting everyone else's best out of them.

With Pearl Jam, everybody is so good at what they do, it's hard to get up the courage to say, Can I sing this part, or, I want to play guitar. I feel like I have more courage to do that.

But I'm pretty good with collaborative thinking. I work well with other people.

Any good director, and I've worked with a few that I would call very good, they know how to disarm any anxieties very quickly.

I feel like I'm a secondary artist, a kind of a conduit for the writer, and if it's a good writer, then I have a great road map.

I consider myself very much a team player.

It's difficult working with someone who is not a team player.

You work in a band, and it tends to be more like moviemaking, I think. It tends to be more of a conscious, verbalized and, to some degree, political process.

I've always been a team player.

I feel like collaborating is something I need to try more of.

One of the things I did well as a young kid was to link well with the rest of the team, so I reckon it's something which is natural for me.

It's highly collaborative, musical theater, so everybody has got to somehow get along.

I'm not a good one-on-one player.

No matter how good a teacher is, if that teacher won't play as part of the team, you're better off without her.

Everybody knows I am a team player.

I am a team player.

I see myself as a team player.

I've never been known for being a team player, but I've adjusted to being part of a big cast and it has worked out beautifully.

In a nine-piece-band is one guy gonna call up eight guys and have a 45-minute discussion about every decision? No. So things are a lot more democratic in Stone Sour. Plus, we're closer and it's a lot easier to communicate. In Slipknot that's the big problem - communication.

If there is anything I wanted to learn in Europe, it was how I could be more of a team player.

We don't ever write stuff individually and say, 'OK, this is gonna be the song.' We bring in ideas in their rawest form and bounce them around to find the thing that is bigger than any individual's idea.