Marti Noxon Quotes

I'm really proud of 'Moneyball.' To me, it's about feeling pride in a movie I made. I think when I'm an old man I'll be able to show it to my grandkids with pride. That's all I can really go for: making movies to please me.

I think 'Sound of My Voice' was the first film where suddenly I could point to something I had done that I was proud of and say, 'Look at this piece of work.' And that's probably what led to 'Fruitvale Station,' which was the real break.

If you do a scene the right way, you can go home at the end of the day and really feel like you accomplished something.

Having your work be the basis of fame, that's a far more stable feeling.

I did my best work in The Mosquito Coast. I know it wasn't such a big hit, but for me it was more meaningful than anything else I'd ever done.

I love all of my books. They were labors of love; I was striving to create something well done, and I do feel I succeeded.

You know I'm proud that I was able to develop and produce movies that I wanted to make.

Making 'Fargo' for FX has been the highlight of my career. A writer can search his or her whole career for a network partner who truly understands and encourages their vision. For me, the search is over.

Being at the pinnacle of my career is not to turn up in some multiplex blockbuster.

I'm insanely proud of every single one of my credits until the people who created the shows are dead.

No, I tell you what I like is having the play close after a decent run and looking back on it and saying, yes, I did that, and wasn't it wonderful? Because while you're doing it, it is really tough. It is so hard.

'Taxi Driver' was one of the happiest moments of my career.

Being the only writer on a successful show is very rewarding.

I probably get more satisfaction from making a show than being on a show.

Truthfully, I'm proud of each of my films in a certain way.

I get satisfaction of three kinds. One is creating something, one is being paid for it and one is the feeling that I haven't just been sitting on my ass all afternoon.

I remember the first time I held my book, my first book in my hands. I cannot tell you how it moved me.

When I was 11 years old, I thought, 'All I really wanna be able to do is my own comic book,' and I'm doing it. I don't have any other real ambitions. I have nothing to conquer at all.

I'm really going to put a stamp on my career by beating Cruz.

When you hold something you created, drew, and conceived, and now here it is in 3D plastic - it is a rush.

I'm proud of the body of work I was part of and I want people to enjoy it as long as they choose to.

I feel happy that I am being honoured for doing films of my own liking.

It took me a long time to get to where I am, but I am here and it is everywhere I want to be. A place where both my artistic merit and hard work meet. A day where I can say, 'Yeah, I'm a musician. A good one.'

I came into my own, you might say, in terms of putting out my first record quite late in life. And yet there's some authors and photographers and even probably recording artists that didn't really hit their stride until their mid-50s.

I do big films just to experience personal satisfaction.