Samuel L. Jackson Quotes

George Lucas is the reason that we got to make this movie, you know, he was the man that created this whole galaxy, and I am incredibly grateful to him. He's an artist and he's a grown-up. And I take him at his word, and it doesn't mean I agree with everything he says, but I respect, you know, his right to his opinion.

Everyone who makes a Star Wars film wants to make it their own but they also have to be true to the concept.

I talked to George Lucas once, not about Star Wars. Everyone wants to talk to him about Star Wars, and I didn't want to be one of those people. In person - at least on this occasion - he wasn't effervescent and giddy, as the Star Wars movies are. He's more focused.

Today it is an amazing, if unexpected, legacy of Star Wars that so many gifted writers are contributing new stories to the Saga.

I learned so much about the making of Star Wars and that became a real drive for me, right from the time I was 12 or 13.

When I came up with the character of Wicket for 'Return Of The Jedi', which was my first film, I was a kid of 11 years old, and I basically was playing a very young Ewok.

I don't comment on the physics errors of 'Star Wars,' all right. I just - you let that one go.

I like the idea of making big budget films with a heart. I like graphic novels more than comic books.

Oh my God, I love UCLA so much. Their film school is great because it's unstructured, so there's a freedom to fail in there and just tell your story, and everybody makes a film. It's so important to have that freedom in film school because that's what you're there for: to learn and make a film.

I think comics can be the basis for great films, but I think the focus of such a project should be on making the film as good as possible, not on painstakingly replicating the comic.

Filming a story set in a war zone in the '60s was such a treat, as it gave me so much scope to dive into.

The Marvel cinematic universe and the Marvel animation universe are things that are very true, in terms of the DNA of what it is. But if, at the end of the day, all we're doing is telling stories that have appeared in the comic books already, then we're not really challenging anybody.

Well, I know that George Lucas doesn't like it at all. When I was working on The Illustrated Star Wars Universe, he told me that he would be happy if every copy could be tracked down and smashed.

I got into the genesis of Star Wars, and the tale seemed to me endlessly fascinating.

And the parents who knew "Star Wars" could take kids and feel like they've gone back to a place that is familiar and yet found brand-new characters that took them somewhere they'd never been. And it was important me that we embrace that feeling, and you can call it retro, but I think it's what "Star Wars" is.

This is reverent. This is Star Wars, damn it. You don't screw around with it. The things that were improv'd or added that developed on set weren't huge departures as far as storyline or anything like that goes. They just were clarifications in character or, at the best moments, they spoke to the moment in the story in a way that, at least with Kaytoo, tended to be funny.

It wasn't long after I began writing Star Wars that I realized the story was more than a single film could hold. As the saga of the Skywalkers and Jedi Knights unfolded, I began to see it as a tale that could take at least nine films to tell - three trilogies - and I realized, in making my way through the back story and after story, that I was really setting out to make the middle story.

But what I've also really liked about it is that it not only has Marvel set about... if they just were slavishly trying to bring the comic books to life, literally, I don't the movies would work, because it's different to see something on screen in three dimensions with actors, and they kind of, I believe, are constantly trying to find a way to absolutely respect the source material and at the same time, transform it into something that works and that you believe on screen.

I was one of the few people who thought Star Wars was going to work, and I hadn't even seen any special effects.

The comic book, and I've said it before, is a treasure trove. It's a grab bag. We certainly have characters and story lines that we really want to do - but to get there in a TV series, you have to take your time. Sometimes you can't get right to it. They're two different mediums. So we make it our own and really own the material. I like to think of it as an alternate universe.

Star Wars is not entertainment. Star Wars is George Lucas masturbating to a picture of Joseph Campbell and conning billions of people into watching the money shot.

Marvel movies, are seeming slightly less exciting now that Star Wars has appeared and everything.

The 3-D effects in "Star Wars" are so realistic, you can actually see George Lucas reaching from the screen and taking the money from your wallet.

When Lucas was doing Star Wars, he didn't have a 50 million person Facebook following where he could just sift through feedback to try to get an idea for what he was going to do next. It's a luxury we have today.

All films are political, whether they mean to be or not. Star Wars is political. As soon as you have conflict, which is the key to most films, you have politics. It's just that some are more artful with the handling of politics than others.