Mariella Frostrup Quotes

I have to make myself write, sometimes. In the space between poems, you somehow forget how to do it, where to begin. It was good to be task - based for a while. I just came downstairs each day, picked the one I was going to do that day, and wrote.

I'm not a believer that you have to write every day. If I felt industrious, I'd spend ten hours a week writing. The writing is going on all the time in my head; the trick is to capture it. Showers are great. Traffic jams are great.

Writing is easy: All you do is sit staring at a blank sheet of paper until drops of blood form on your forehead.

The problem with books, now that I've written one, is that the idea of adaptation is so much easier than sitting down to write something new.

I think my characters with my fingers, I think my characters with my guts. But when I say I think them, that is what I do, I feel them with the sympathetic neurons and I work out with my brain what it is that I am trying to write about, or I can't do it.

My process is thinking, thinking and thinking - thinking about my stories for a long time.

I'd been writing fiction for 50 years, since I was 19. And when you write fiction, it becomes a way of thinking: there's always a novel around. The strange thing was that after 'Remember Me,' there wasn't.

The problem with most of the want-to-be authors is that they are unable to focus. Either they have no idea of where to begin, or they have hundreds of ideas and don't know which one to pick. Both scenarios leading to one result... they give up even before they start.

It's tough to know what I'm going to write about. I never really know until it starts happening.

Writing is no trouble: you just jot down ideas as they occur to you. The jotting is simplicity itself - it is the occurring which is difficult.

You know that feeling when you finish a final exam and you think, 'I never want to do that again'? Well I have the same feeling when I finish a novel. Each time I say, 'I think I may retire now' and then after six months the ideas start to churn again. I could never stop.

Titles either come to you at the beginning or they don't come to you at all, I find, and I hate the feeling that I haven't got a title because it usually means that you are left at the end scrambling around trying to find something.

I hate writing.

I work via the high-tension-wire method, which is maybe going for long periods without writing while the tension builds up - when am I going to write this, am I going to be able to write this, what is this image about - and I'm thinking about it all the time, but I'm not really inside it, inside the writing.

By the time I sat down to write 'Family Pictures,' I hadn't written anything in almost two years, and writing, I have discovered, is a muscle: if it isn't exercised, it will atrophy.

I can't write every day. I have to skip a day in between. If I try to do it every day, nothing comes.

You are just in the middle of a struggle with words which are really very stubborn things, with a blank page, with the damn thing that you use to write with, a pen or a typewriter, and you forget all about the reader when you are doing that.

Never sit staring at a blank page or screen. If you find yourself stuck, write. Write about the scene you're trying to write. Writing about is easier than writing, and chances are, it will give you your way in.

I hated being a novelist when I was 20 - I had nothing to write about.

If my writing comes to a halt, I head to the shops: I find them very inspirational. And if I get into real trouble with my plot, I go out for a pizza with my husband.

It wasn't that I couldn't write. I wrote every day. I actually worked really hard at writing. At my desk by 7 A.M., would work a full eight and more. Scribbled at the dinner table, in bed, on the toilet, on the No. 6 train, at Shea Stadium. I did everything I could. But none of it worked.

Every writer I know has trouble writing.

My cure for writer's block is to step away from the thing I'm stuck on, usually a novel, and write something totally different. Besides fiction, I write poetry, screenplays, essays and journalism. It's usually not the writing itself that I'm stuck on, but thing I'm trying to write. So I often have four or five things going at once.

I write to discover what I think. After all, the bars aren't open that early.

I think very visually, and I just never thought I had a novel in me.