Tory Burch Quotes

Gabriel Garcia Marquez is one of my all-time favorite writers. I feel spiritual when reading his words, even though they're translated. I wish desperately that I could read it in its original language. I already feel like I'm going to church when I read him; imagine if I could read it in the original.

'One Hundred Years of Solitude' convinced me to drop out of Harvard graduate school. The novel reminded me of everything my Ph.D. program was trying to make me forget. Thank you, Gabriel Garcia Marquez.

Proust is a huge author for me.

I want all of my films to be grounded in reality, and I think 'Midnight Special' is the most grounded film I've ever made, in spite of its genre.

The first book I bought with my own money as a teenager was Martin Amis's 'Money.' You know that thing when you read a book and you think, 'I'm going to have to read every word ever written by this man.'

My biggest superhero of writing is Jorge Luis Borges, the Argentine fabulist. He's an amazingly perceptive writer, but also willing to make a joke.

Even including myself, my favorite author is Eileen Spinelli, who I happen to live with. She's a terrific writer and has written several of my all-time favorites.

The first author I remember being obsessed by, actually realizing 'I like the way he writes and I like the way he tells stories,' was C.S. Lewis and the 'Narnia' books.

I was staying at the Konchucos Tambo lodge, next to the Huascaran national park, near Chavin. Sitting here on its veranda, I was beginning to see where all those Latin American magical realists get their inspiration from: they don't need to make anything up; they just write down what's around them.

Authors I've longed to write like - but realize I actually can't even begin to - include Poe, Gabriel Garcia Marquez, Kafka, Daniil Kharms, Witold Gombrowicz, Emily Dickinson, Robert Walser, Barbara Comyns, Ntozake Shange, Camille Laurens, Zbigniew Herbert, and Jose Saramago.

At a very young age, I was influenced enormously by Julio Cortazar or Carlos Fuentes. In that literature, there's always an exploration of different perspectives, points of view.

I have been definitely influenced more by Latin American writers than by any other type of writer. They are very close in terms of voice - their humor, their fatalism, their... well, that over-used term 'magical realism.' It's a wonderful term that's just been used so much, we don't know what it means anymore.

Beckett's 'Stories and Texts for Nothing' is probably my favorite book.

Pearl Buck was my mother's favorite author.

Gabriel Garcia Marquez's 'One Hundred Years of Solitude' is such a powerful book, and 'Love in the Time of Cholera' is so strangely, brilliantly optimistic.

I love Javier Marias; I love his novel 'Tomorrow in the Battle Think on Me.'

When I finished reading '100 Years of Solitude,' by Gabriel Garcia Marquez, I got really sad. I thought, 'This will never happen for me, for the first time, ever again.' Then I opened 'Beauty Is a Wound.' It's a completely different story and writing style, but it has a similar place in my heart now.

My favourite writer is John Maxwell Coetzee.

I remember I was very taken with a book called DreamTigers by [Jorge Luis] Borges. He was at the University of Texas, Austin, and they collected some of his writings and put them in a little collection. It's called DreamTigers in English, but it doesn't exist in Spanish. It's a little sampler. But that collection in English is what struck me, because in there he has his poems, and I was a poet as well as a fiction writer.

Magic realism - somebody used that phrase the other day that is familiar with South American literature. That rang a bell. It resonates with me.

People don't like to say Fantasy they say Magic Realism which means Fantasy written by somebody I went to university with.

When I was very young I was reading a lot of Latin American fiction, which later would be called "boom fiction."

Liking an author may be as involuntary and improbable as falling in love.

I think that it's important to try to keep reality. I think that Gabriel Garcia Marquez speaks a lot about reality in his magical realism. So I don't think we have to be hyper-realistic. But we have to understand the pressures that undergird the lives of the characters within that novel.

Without Leskov there would be no Bulgakov, no Chekhov, but also no Garca Mrquez and Julio Cortzar. . . . Leskov is the essential storyteller: he does not portray life, he creates it in all its wonder and terror and magic.