e. e. cummings Quotes

The only process that comes close to the process of writing a whole book, in my experience, is childbirth. There is this moment when you think you can't possibly labour for another moment, and that, paradoxically, is when you have to push hardest.

There are so many filmmakers who are so talented, and actors and writers who work so hard, and it's really hard to let your work enter the world.

There is very little that is accidental in my work. I believe in serendipity for developments of plot, but the actual writing is arrived at by very hard work. The joy of writing doesn't mean that you don't get the backaches and headaches and the days when it's not coming.

I sold a book six years after I left an MFA program. In between, there was a lot of endurance of poverty and a lot of fighting off doubt. It's all a part of the process of being or becoming a writer.

Writing anything is terribly hard but, alas for me, because I am addicted, a heck of a lot of fun. I often am sorry I ever started writing prose, because it is so hard. But I can't stop.

I have a vast 'bone pile' of stillborn or abandoned poems along with jottings and wisps from the great beyond that I tend to scan. Sometimes that leads somewhere, and sometimes the Muse is just on sabbatical.

Writing is hard.

I found my first novel difficult. I don't want to make it sound like it's any more difficult than driving a cab or going to any other job, but there are so many opportunities for self-doubt, that you just kind of need to soldier on.

Writing is total grunt work. A lot of people think it's all about sitting and waiting for the muse. I don't buy that. It's a job. There are days when I really want to write, days when I don't. Every day I sit down and write.

For me, writing never gets easier. It's always hard work. It doesn't matter how many words you wrote the day before, or how many novels you've completed in the last decade: every day you start fresh again with that same blank page, or that same blank screen.

Writing is an extremely rewarding and humbling process, and I've learned to go with it, that even if it feels absolutely impossible, I will find a way to tell the next story.

At a certain point in the writing of any book, you become absolutely certain that it's terrible and is only getting more terrible with every word you write. This is normal. You just have to keep going, push your way through, and have faith that, through practice and experience and determination, you will get to the end.

'An Education' was a complicated piece of work because it came from a tiny essay, so it took me a while to find the story I wanted to tell and the characters I wanted to tell it about. That really only emerged after four or five drafts.

I just want people to finish the book and say, 'I was entertained.' When I set out to do it, I had no deal in place. I knew it would be tough. I read somewhere that John Steinbeck was turned down 22 times on his first novel. But I was just going to do it.

When I see a film, I'll remember that there was a time when it wasn't working, and there was some pain and angst in order to get it to work.

When everything is added up, the frequent blows weighted against the sporadic triumphs, this is I have to say not just a vocation, it's a great gift. But you also know this, for your work, for your passion, every day is a rededication. Painters, dancers, actors, writers, filmmakers. It's the same for all of you, all of us. Every step is a first step. Every brush stroke is a test. Every scene is a lesson. Every shot is a school. So, let the learning continue.

It's always nice to have people love the things that you do. But it's a lot of hard work, and people are always passionate, if it's family fare or a drama, it's the same amount of work and people invest everything into that, and when it doesn't come out the way you want it to, of course it's hurtful.

When you decide 'to be a writer,' you don't have the faintest idea of what the work is like. When you begin, you write spontaneously out of your limited experience of both the unwritten world and the written world. You're full of naïve exuberance. 'I am a writer!' Rather like the excitement of 'I have a lover!' But working at it nearly every day for fifty years – whether it is being the writer or being the lover – turns out to be an extremely taxing job and hardly the pleasantest of human activities.

Some people, like Leonard Cohen, write one album every 10 years, and labor over a song for five years at a time.

The novelist screws up his courage in order to invest another two or three years in another attempt to float a boat of original design upon an invented ocean.

Poems are not easy to start, and they're not easy to finish. There's a great pleasure in - I wouldn't say ease, but maybe kind of a fascinated ease that accompanies the actual writing of the poem. I find it very difficult to get started.

I quit law in 1988 to start writing, and it took me 17 years from that point to get a book contract. I guess you can say I was on the slow train.

The one thing an aspiring writer must understand is that it's hard. If you think it's not hard, you're not doing it right.

It takes an awful lot of time for me to write anything. I have endless drafts, one after another; and I try out 50, 75, or a hundred variations on a single line sometimes. I work on the process of refining low-grade ore. I get maybe a couple of nu ggets of gold out of 50 tons of dirt. It is tough for me. No, I am not inspired.

The trick is not becoming a writer. The trick is staying a writer.