Literary Ambition Quotes

Writing was something I always as a kid thought would be fabulous and glamorous to be a writer.

I never had a highfalutin' view of what I write.

How could I make a little book, when I have seen enough to make a dozen large books?

Anyone aspiring to literary greatness should read 'New Grub Street' and weep.

When I was in my teens, I was very, very keen on being the author of a book. What the book was was secondary. I wanted it to be in hardback. I didn't care how thick or thin it was, and I didn't actually care what it was about.

When I read 'Greenberg,' I had a really strong sense if I could be any kind of writer I wanted to be, I'd be this kind of writer. And I felt like, even in my experiences, what writing I had done, even on a small scale, when it was good, it shared some quality with it.

My books are a subject of much discussion. They pour from shelves onto tables, chairs and the floor, and Chaz observes that I haven't read many of them and I never will. You just never know. One day I may - need is the word I use - to read Finnegans Wake, the Icelandic sagas, Churchill's history of the Second World War, the complete Tintin in French, 47 novels by Simenon, and By Love Possessed.

My first novel was turned down by half a dozen publishers. And even after having published five or six books, I wasn't making enough money to live on, and was beginning to think I'd have to give up the dream of being a full-time writer.

I always knew writing a novel was a great thing.

If I wanted to be Rimbaud, what was I doing in graduate school? Trying to stay out of the army, of course. Graduate study gave me a draft deferment. But I also knew I lacked erudition and polish and was often sunk in forlorn reveries.

When I was young, the early death of my father cast a shadow over me - and I was afraid to die before all my literary plans came true. But between 30 and 40 years of age my attitude to death became quite calm and balanced. I feel it is a natural, but no means the final, milestone of one's existence.

I keep working under the delusion that someday a library will ask for my manuscripts.

I never really knew I wanted to 'be' a writer, but I was always writing from a very young age. It became more conscious as an ideal when I was in my twenties.

I don't like the word rock opera, but I'm trying to write on that level that's reserved for plays still, or novels.

If my mother hadn't been trying to be a writer, I don't know if I would have thought of it myself.

I don't really know what the Great American Novel is. I like the idea that there could be one now, and I wouldn't object if someone thought it was mine, but I don't claim to have written that - I just wrote my book.

Among all kinds of Writing, there is none in which Authors are more apt to miscarry than in Works of Humour, as there is none in which they are more ambitious to excel.

I have been aspiring to write some sort of literature for a long time.

Writing in the voice of an American slave felt like I was biting off something very large.

Have you really read all those books in your room?” Alaska laughing- “Oh God no. I’ve maybe read a third of ‘em. But I’m going to read them all. I call it my Life’s Library. Every summer since I was little, I’ve gone to garage sales and bought all the books that looked interesting. So I always have something to read.

I think I must write a book. It has been my cherished dream and I feel an influence that I cannot resist calling me to the task.

I wanted to be a novelist from a very early age - 11 or 12 - but I don't think I ever thought I would write historical fiction. I never thought I might write academic history because I simply wasn't good enough!

I think Walt Whitman went to the help wanted section and found a squib that said "Wanted: National Poet." And he was innocent enough to believe there really was such a job. And if he could just write a poem that incorporated everything he felt and suspected and hoped for from America that he would have the position.

When I started out on 'Min Kamp', I was so extremely frustrated over my life and my writing. I wanted to write something majestic and grand, something like 'Hamlet' or 'Moby Dick,' but found myself with this small life - looking after kids, changing diapers, quarreling with my wife, unable to write anything, really.

When I wrote my stories in elementary school, I signed them all 'Karen E. Bender' with the squiggly 'E.' I wanted, from an early age, to be a writer, and that name - that E - was a way of pretending I knew how to do it.