B.o.B Quotes

Bjork for sure. Definitely, I would like to do like something with Tommy Genesis, too. There's a lot of people actually.

To work with different singers gives us creative freedom because we can experiment with different sounds on every song.

I wanted to go beyond what K-pop is typically perceived as, and through 'Move' I was able to show a concept that's more edgy, more powerful.

I don't know if Kim Gordon does collaborations but I'd love to work with her on something one day.

I'm very thankful that I'm in a position where I'll never be without a session. I'll always have someone who will want to get in the studio with me, or there'll always be someone that I'll wanna get in the studio with.

I was sick of fast, aggressive music; I felt like I needed to make a poppy thing. But, right now, I feel like I need to make a Hawkwind/Sabbath record. It gets boring if you just do the same thing all the time.

I'm really excited because Interscope is really focused on artists. They've been working side by side with me creatively and allowing me to make a lot of the creative decisions, which you don't always hear about. That's why I didn't want to sign originally with a major label.

I feel like my music has so many different things going on. I've always worked with many different producers. And a lot of times, each of them has a different thing that I really love about what they do.

One thing that I have thought ever since Temple of the Dog is that I would never say no to an interesting collaboration, and that's partly where Audioslave came from.

Roger Ballen is pretty much a member of Die Antwoord, it would be safe to say.

I'm getting in the studio with everybody I've always wanted to work with. That's the amazing thing.

I'm thinking about starting a solo project. But it will feature Tyler on all the songs. We'll call it something like 'Two Music Boys.'

One of my favorite things is producing other artists because, in many ways, it's a lot more freeing than working on your own music.

When I travel, I connect with creative people in all different fields and disciplines. It's sort of just to keep my finger on the pulse of what's going on. I think that's important.

If I could collaborate with any artist, I would want it to be like Marvin Gaye. Someone like who they wouldn't expect me to do a feature with, like, very iconic.

I had no precise plan when I started 'Electronica,' but I think it has been a very positive journey for me.

Once you have an established song, you can really come out of your shell and experiment with the sound you want to make.

There are so many ideas that I have in my mind, of projects that I would love to tackle, people I would love to work with, genres I would love to experiment with, and sounds that don't fit any of my previous projects that I need to find a home for.

I want to explore all genres.

Especially with Fantomas, i'm just trying to stretch out what the band can do. Figuring out, really, on the job or on recordings, what I can or can't get away with.

Kanye and I spoke of working together and started an idea that we didn't get to finish.

All my idols have been in the studio with me, because they wanted to be there.

For 'Chapters', I decided to let go of my insecurities, found myself some talented R&B producers, and worked with them.

As far as working with Kanye and Solange, that was amazing. After 'Swing Lo Magellan', I needed a change. Getting to work in that capacity, writing for other people and working for other people as a writer and as a person who's not representing it as the front person or whatever - it's such a different perspective you can get.

I've always had influences from all over the place, like Mr. Bungle and Primus. As a band, we try not to focus too much on where it's coming from, because we're always listening to music.