Sara Bareilles Quotes

I don't think comedians make an active decision to be a certain "persona." Comedians write the way they're going to write.

When you sing opera you are very far from the people, you are onstage, and between you and the people there is the orchestra. So you have to launch your emotions very, very far. When you sing pop, you are singing very close - the microphone is very close to your mouth. You can whisper your emotions into the microphone.

You can be a little bit darker and rougher on the stage, partly because when you're in the theater, people have come to see you, and so they kind of know what they're in for. In television, you are sort of sneaking into people's homes. So, I think you can be a little bit darker on stage.

I think early on I avoided singing because it was so personal and I didn't know how to sit in that intimacy. I wrote songs when I was little and I wrote a journal, but I don't think I knew how to let that truth come out yet.

I think as a performer, it can be really great to stand on stage, especially when you have more time, but I do think about the specific people in the audience, how it's hard for them to get up and go to the bathroom, how they chose not to do other things that night and have turned off their phones and everything. So for that reason, I think it's necessary to mix it up and talk to the audience.

I've dabbled in running around on stage, and at certain times it's nice to step away from the anchor of the piano and use a handheld microphone and connect with the audience, but I think my soul as a performer is just a little bit more connected to the instrument. To just sort of sit and sing - that feels like the most natural fit for me.

I separate the performer from the private citizen because it works for me. That gives the surprise element to my show. It doesn't change my playing. But if in a business suit they would think I was crazy. It's like putting Marlene Dietrich in a housedress.

I studied with Stella Adler and I didn't like the representational aspect of most opera singers. Most of the opera singers had not a false, but over theatrical way of presenting.

I am a moderately good singer. I am not a great singer but I can interpret a song, which I don't think is quite the same as singing it.

If I write songs and I think they sound good, then that's it. That's what I do. I'm not a technical musician, which is fine for rock and roll.

When you sing, always tell the truth.

Well, at the very beginning of the Amboy Dukes, I was doing background but I never sang my own songs. I would sing them for the guys to show them how I wanted the songs to go, but I always had lead vocalists.

Live audiences love me because I'm singing and actually am able to f**k with people live over the mic.

Everybody wants to write a hit song, but in Nashville people want to write the best song, which was my original intention as a singer/songwriter. ... I left because I could no longer make records that sounded less and less like me. I tried to please people instead of believing in my own strength, until the only thing I could do was walk away.

Art is not the possession of the few who are recognized writers, painters, musicians; it is the authentic expression of any and all individuality.

I think of myself as a theatre comic instead of club comic because I tend to talk for a bit before I start being funny. I don't really do the one-liners and five second bits or whatever. But it's good to work stuff out sometimes.

I'm gonna keep singing and dancing as long as I can.

Music helps define the character and is an extension of the character somehow, so that you are able to use both the songs themselves and the way that you sing them to tell something about the character and his story, as well as develop a performance style.

In my first bands I was a singing guitar player, but if you heard any of those songs you wouldn't describe me as a singer. But I can make it work.

[A]s soon as you try and take a song from your mind into piano and voice and into the real world, something gets lost and it's like a moment where, in that moment you forget how it was and it's this new way. And then when you make a record, even those ideas that you had, then those get all turned and changed. So in the end, I think, it just becomes it's own thing and really I think a song could be recorded a million different ways and so what my records are, it just happened like that, but it's not like, this is how I planned it from the very beginning because I have no idea, I can't remember.

I've been doing that song ["Live Wire"] on my own for years, so no, I'm not worried about [high notes] at all.

You know, being in a rock band, you can't overdo the costume changes too much because everyone thinks, oh, that's not a real rock band. Look how many times he changes costumes. That's not rock. Rock's about going on in a T-shirt and staying in it and getting it all dirty. But that's not really my approach.

What you must understand is that my voice comes from the energy of the audience. The better they are, the better I get.

I don't think that just because a lot of my music has a quieter aesthetic; [it] excludes me from achieving that in a live setting, from being dangerous or something.

Christina Aguilera has her own style, so good on her. I don't think anyone's every told her to put on some leather chaps and get her noonie out. She's an amazing singer but a lot of her music I can't even hear.