Daniel Clowes Quotes

It's really frustrating when you write a show and it's really funny and someone and from Standards and Decency says, 'You can't put that in because it has a naughty word.'

I gravitate towards anything that feels challenging to me, that feels like it's gonna be saying something a bit different and new to the audience, and anything that moves me. I do movies that I would want to see, so I don't necessarily gravitate towards any genre in particular. I just try and do the best work I can and also try to keep the audience guessing.

Ill writers are usually the sharpest censors.

It's the obvious thing to say but artists want to be able to tell all kinds of stories and tear down every kind of wall, to look at ourselves and examine who we are and just get deeper insights into what makes us human beings. Anything that could possibly prevent that in our near future horrifies me to no end.

I always try to do something very different with each character because that's why I like to do this, because I can become someone else completely and it's fun.

The dramas for me allow me to explore more behavioral, deeper psychological things. But the comedies obviously allow me to explore the idea of really working off other people. I'm having more fun doing that.

I rarely talk about work with writers, and I love getting together with writers. I think writers are great to get together with, because we can talk about everything. I think that's why I enjoy it. Writers tend to be pretty open-minded, and pretty profane and loose. They have fun minds.

An artist in my view is always afraid of extremists; he is always afraid of those who claim to have found the ultimate solution to any question.

I'm a songwriter. My voice just serves what I'm writing about. So to let all that go, I mean, bring the sensibilities of it actually to the song choices, but to just be the interpreter was incredibly liberating and really fun.

People should be stopped from writing poetry. There's far too much of it. And if they're any good, they'll go ahead anyways.

In Bergman's world I represented a sort of intellectual, skeptical, ironic person, rather cold and frustrated. When I went abroad and made films in Italy and other places, I was used in different ways. I was rather often cast as crazy people, maniacs. It was very good for me and it was fun because it is nice to play crazy people if you are not in reality. And I think perhaps that changed how Ingmar saw me. Suddenly I was on the more magical side of his world, playing the people with fantasies, variety, the artists.

It's good to try stuff. I wrote a book that I threw away, and I think I just wrote it so I could try stuff in it and not be scared

I think it's possible to allow an artist to go beyond his borders and play.

I don't really enjoy working in TV, to be completely honest, even though it's incredibly lucrative, I'm just terrified of not being satiated in a myriad of different ways. It's amazing that I get to create every day, as an actor, or a director, or a writer, and I get to do it in a variety of different genres and worlds and characterizations. I think that's the great privilege of what we do, we get to make believe. I get to go to so many different places, try on different occupations, take on different points of view. That's what's always been sort of alluring.

One of the reasons I really love low budget filmmaking is you don't have to think about that as much. You can have more fun and be more playful and be freer creatively.

Try to produce your own films, avoid directing for hire.

If it is permissible to write plays that are not intended to be seen, I should like to see who can prevent me from writing a book no one can read.

Inability, human incapacity, is the only boundary to an art.

I love makin' music, so whether I'ma make money at it or not, I'ma still do it. The thing is, I've gotten to a point where I don't have to use music to make a livin', so I can do it for fun like I used to when I was young.

The moment that an artist takes notice of what other people want, and tries to supply the demand, he ceases to be an artist.

How anybody expects a man to stay in business with every two-bit wowser in the country claiming a veto over what we can say and can't say and what we can show and what we can't show - it's enough to make you throw up. The whole principle is wrong; it's like demanding that grown men live on skim milk because the baby can't eat steak.

Just trying to live our lives and figuring out how to turn that into art. It's tough to say that the art was premeditated. Instead you just focused on living. 'How do I want to live? What do I want to do?' Then you figured out how to make that into art.

The good thing about writing books is that you can dream while you are awake. If it’s a real dream, you cannot control it. When writing the book, you are awake; you can choose the time, the length, everything. I write for four or five hours in the morning and when the time comes, I stop. I can continue the next day. If it’s a real dream, you can’t do that.

I may not get the opportunity to make movies for my whole life, but I'm going to make movies for the rest of my life. Maybe studios won't pay for it, but I'm going to do it because I love it. So, I just have to be proud of what I make, and what I'm trying to say in what I make. If people don't like it or people don't see it, that's beyond what I can control. I'm a storyteller, and people are going to listen or not and like it or not. That's only solidified over time.