Lita Ford Quotes

If the chemistry between me and the artist is good, then that's half the battle.

'Let's Get Harry' was where I met Bob Singer and worked with him for the first time, and then 'Reasonable Doubts' was the second time, and there was a thing after that called 'Charlie Grace' that was the third time. I liked working with Bob. A nice man and a good partner.

Andrew Strauss captained me through my purple patch.

Everybody who's been successful has gotten lots of help and input from many, many people.

Shout out to my boy Guwop. We came in the game, and we learned from the best.

My success has a lot to do with Mischa. He was the one who always used to practise with me when I was little, when I was a junior.

It's deeper than the music when it comes to me and Mustard. He's like a big brother, and I'm so thankful to have a mentor like him to advise me. Even though he gives me a lot of creative control, I always go to him like, 'Do you like this?' It's so cool that it's always a collaborative effort. He never makes me feel pressured or anything.

Puff always does great collaborations, it's just you need that flair to make it work.

I've been fortunate enough to really work with amazing people and have incredible people lead me along the way.

I turn to people who've been successful running networks, building production companies, building music companies, and people who have done it, and I ask them about their successes. And you will see them light up and give you all the information you need.

When you're working with a producer, there has to be chemistry.

We can be in the studio with the hottest producer, but we might not be able to create any magic! It's not about the hottest. It's about who we feel we have that connection with, and that's who we're going to be working with.

2 Chainz and I have a history. It's always an honor and pleasure working with him, because it seems like everything we do is dope. We just have that organic chemistry.

Firoz Nadiadwala is a close friend; he was the first person who asked me to direct a film for him. I would like to have him as my producer for my directorial debut.

Remember that no one succeeds alone. Never walk alone in your future paths.

I knew I was in good hands [with Didier Dubot] and we could accomplish whatever I had in mind.

In music, as you develop a theme or musical idea, there are many points at which directions must be decided, and at any time I was in the throes of debate with myself, harmonically or melodically, I would turn to Billy Strayhorn. We would talk, and then the whole world would come into focus. The steady hand of his good judgment pointed to the clear way that was fitting for us. He was not, as he was often referred to by many, my alter ego. Billy Strayhorn was my right arm, my left arm, all the eyes in the back of my head, my brainwaves in his head, and his in mine.

I have been fortunate to have worked with immensely talented writers and directors who have had faith in me. There's been very little hard work but a lot of learning. I have learnt from each of my characters, and I think that's rather amazing.

I was lucky to have amazing mentors like Brad Feld and Jason Mendelson.

R. C. Buford has been a huge help to me with his support.

I instinctively felt Pancham and Gulzarbhai were meant to make music together.

I'm lucky to be collaborating with a lot of great songwriters/producers - and it's all about chemistry!

Find someone within the company who is on another team but is at a similar level or role as you to be a friend, a sounding board, and a place to go for candid feedback. Find a mentor within the company who resembles the leader you'd like to grow to be.

And with Aaron, I'd have to find a reason not to work with him.

I met some people in college and I kept cracking away until someone pointed me in the right direction.