Ludivine Sagnier Quotes

When you're working with good people it brings good things out in you.

And who cares, five years down the road, what most movies made or didn't make? If it's good, it stands up.

I think when you're a bigger star you get many good scripts sent to you, and you have to choose which one you're going to gravitate toward, but I just try to gravitate toward the best-written one that's been thrown my way after a lot of girls have passed on it.

I think we're in good hands. There's definitely much more momentum in bringing in good things to help support the show. Everyone's got a good attitude about it and I think that makes all the difference.

I like to go from mainstream movies to more artsy films. I don't sign on for the money. Maybe I should, but I don't. There's always a good reason for doing something.

I was so driven that sometimes you don't recognise all the good things that are happening to you.

I think competition is very important; it breeds many good things in a person.

I'm a winner, I play to win, I want to make good things go on around me.

I just think Australia tends to make very good movies, so if someone hands me an Australian or an American film script I would guess the Australian film would be more intriguing.

I know what a good movie is.

You know, I'm not saying, 'Oh, because I play a good guy on TV, I need to suddenly be villainous in a movie.' I look at it more like: does this role has a kind of urgency for me in terms of, 'Can I not say no to it for whatever reason?'

I like comedies, I like thrillers, I like love stories. Everything is beautiful; it depends if the film is good, who cares? Everything is interesting.

Like anything, I think there are some wonderful found footage movies, and there are some less good. Certainly when it's done well, I really love it. I really love it as a genre.

There is more good writing and good acting in any ten minutes of Twister than in, say, all of Citizen Kane.

You want the actor to be happy with the movie. You really want the actor to think they did a good job and all that.

It just proves good movies don't need 100 million dollars to be good.

I have made a lot of movies, but I don't see any point in talking about films I don't think are terribly good. I have been in a few. I don't know any actor that hasn't.

At the end, it's your movie and your performance that stands out. So if I am a good actor, and if am being part of good entertaining engaging films, audiences will like me.

You want to do good things, and once you've done a couple of good things in a row, you think 'Well gee, let's not mess this up.' But I am lucky at this point that I have something I really love to do, and it completely holds my attention. I never feel frustrated by it.

No good movie is too long and no bad movie is short enough.

I knew Manuel Pellegrini from my time in Spain. I'd only heard good things about him, that he was someone who instilled the confidence in his players to go out and play good, attacking football.

At the end of the day it's got to be a good movie, it's got to be a funny movie, and it's got to make people think, 'Hey, I couldn't have spent my time any better.'

One of the reasons I moved to New York was because I thought it would be easier to say no to dreadful scripts. I wouldn't be tempted to fly back and do them. There are some things even I won't do.

I would love to do a rom-com, but they are not good - good and successful doesn't equate to the same thing.

A movie with nothing but violence is not a good movie. But one that is actually entertaining around the horror is one that people will remember and watch again and again.