Danny Boyle Quotes

If you know the filmmaker is good and the leading actor is a movie star like Diane Lane, you know you're part of something great.

I wouldn't want to do a whole movie with effects.

We want to make movies for the big screen. We want people to go to the theater and feel like they're watching a movie.

I think the movie industry has to pay attention that we need to make good quality films, or we are never going to get the business back.

That's realism: a fact that if the audiences don't move out and watch good films at the theatre, people will stop making them.

I don't get it when you get so much openness about the way movies are made, and the special effects and the behind-the-scenes stuff and all of that. I can't help but feel like this reduces it a little bit.

I'm not a massive fan of 3D. I've seen some good 3D, and I've seen quite a lot of bad 3D. I think if a film is created for the shock effect of 3D, then it's a certain type of film that I'm not massively bothered about.

I am fortunate enough to have worked on, and continue to work on, evolutionary movies in all formats from just simple good story telling, which still matters most of all, to CG movies to tent-pole size 3D movies, and genre 3D movies like 'Piranha 3D.'

You have to realize I like doing big movies that appear on a big screen. So the visuals and the audio have to be of a certain quality before I start to get excited about the thing.

Today, everything has to be made by committee, and has to have special effects, but there's always room for good films.

There's not a lot of good movies being made.

I love going to the movies; I love watching good movie actors. They must know something I don't.

Summer movies are spectacles; that's what you pay 10 dollars to see. You want to get teased by effects sometimes. I think that will never stop.

'G.I. Joe' is a $200 million movie. The makeup trailer was as big as my house! It was a whole other different production. It blows me away. I'm just going, 'Wow, I'm in that.'

We love movies like 'Edge of Tomorrow.' It's why we go to the movies, and it's why we make movies.

'Bengal Tiger' is huge film for me, and I had a blast working with both Ravi Teja and Tamannaah.

You just have to ensure that you make good films because audiences today have become picky and smart, and rightfully so.

Good films will run, and people will watch it irrespective of whether it is suspense or a comedy.

My audiences love watching my films.

Making 'Pacific Rim' was a lot like what you imagined making movies would be like when you were 12.

To me, movies are valuable as an art form and as a wonderful means of popular entertainment. But I think movies have gone terribly wrong.

The sets were fantastic. The Harry Potter sets are brilliant. You do get transported for a second.

The new 'Avatar' BluRay is a lesson in filmmaking. It really is inspiring.

Just because you've made a couple movies, you've done some good movies, you've been nominated for some Academy Awards, whatever, nobody's entitled. It's a business. If they don't see it, I can think they're wrong, but I'm not entitled to a $15 million budget to make a film.

I think American cinema, particularly, has become so disposable. It's not even cinema, It's just moviemaking.