Dash Mihok Quotes

I would do a movie musical.

I actually love 'West Side Story.' I think it's an amazing film to watch.

I want to toy around with producing a Broadway show.

I was very aware of the fact we were so out of fashion when I shot 'Chicago.' And I was trepidatious as to whether it would be seen or embraced by anybody, but I've never stopped believing in the genre. There's nothing like it. It's American-born.

When the script of 'Nine' came along, I saw that there's a possibility of making something that is genuinely new and entertaining at the same time.

I'd like to make a film musical. That's really my dream.

I wanted to do Dreamgirls. If they're doing a stage production of Sparkle, I think that would be hot.

I would like to do a period piece. I think that would be fun.

Film and TV and stuff like that was something that I wanted to do when I was really, really little; like, I remember I used to do these plays with my cousins. We used to do Michael Jackson performances, and I would be Michael.

My wife Victoria Harwood was art director on 'Far North,' and she had designed my student film, 'The Sheep Thief.'

If I were to do a musical, I think I would rather make a film musical.

At the time I just was like, I can't believe I am on the show, and the first thing I have to do is an entire song and dance routine for the whole cast of 'Mad Men.'

I would love to do a musical. I would love that. I would have to find the right book, the right story, but some day I'm going to make one. I would really like to go off and direct a musical. That's what I would really like to do when I grow up.

Phillip Harrison was the production designer, though, I think he's uncredited. He's done most of my films like Blue Thunder. Lots and lots over the years.

'You Can't Take It With You' has eighteen people onstage at one point. Musicals entail a larger collaboration, and I love that.

Musicals are famous for being in a constant state of flux.

My wife Juliana and I first saw Eurovision while on our honeymoon in Greece in 2006, and we were amazed by it. They basically recreate a music video onstage, and pyro cannons, LED video screens, background dancers, fireworks, costume changes, and wind machines are their tools.

I'd love to do a film like 'Chicago.' Something musical because I've obviously come from that background.

When I first read the script for 'A Little Chaos,' I just loved reading it, as it is a really lovely, accessible, contemporary period film.

I wanted to work with Michael Mayer because I'd seen 'Thoroughly Modern Millie' six times.

If my 12-year-old self knew that there was going to be a Broadway adaptation of 'Newsies,' I would have freaked out.

Whether a film is breaking into song and dance or if it's something like 'Whiplash,' I find it incredibly rewarding, and I'm drawn to those stories with a musical component.

With the kind of money Bollywood directors have, they can at least add drama, gloss and glamour to their films, even if the stories are uninspiring and run-of-the-mill.

Ang Lee - he is amazing. I think doing a film with him would be breathtaking.

'Chicago' kind of set the bar in terms of how we approach musicals, and tone is one of the key elements.