Noah Cyrus Quotes

There's no real high like finishing a new song, playing it a thousand times in your car, and freaking out with your co-writers.

I have to be involved. Whether it's me writing by myself or with other people, I definitely want to have my hand in the creative process. That's part of why I got into music in the first place.

Yeah, I came in at the end of the Notorious album, played on about five tracks and then we went on a tour. Then we did another album, Big Thing, and then we started writing songs together in 1989.

But I also enjoy music outside the band. I've been doing production for other people, including Robert Wyatt. Check him out. The album we did together, 'Rock Bottom,' I think it's really lasted well. It's a 35-year-old album, but it worked.

I would love to do a track with Will.I.Am. He's always creating amazing songs. I mean, to be honest, Chris Brown has always been amazing, so I would hop on there and let him do his thing and create some magic there. As for a producer, I would love to work with J.R. Rotem. He's my favorite producer out there.

The real amazing thing about all of this is I think I've maintained the mentality of a musician throughout it all, which I'm proudest of. And I'm still playing on people's records and singing on people's records.

There's no better feeling than just going in and just working with someone and what comes out is something that the world knows about.

For 'Dynamite,' Max and Luke went to dinner and left me with a melody, and then I put it together.

We've never been satisfied with just making 'me' music. What we're doing is trying to go to a place of some reverence.

Roger Ballen is pretty much a member of Die Antwoord, it would be safe to say.

I'm getting in the studio with everybody I've always wanted to work with. That's the amazing thing.

I think, at the end of the day, that was really what the reward for production is for me, is being allowed to be a part of somebody else's musical vision for a while. Like Gwar. I got to do a Gwar record, right? That was great.

I had always wanted to make music on a big scale but never knew how it was going happen - until I saw a band in Oslo called Bridges. I was stunned. They had everything. The only thing they didn't have was me. I knew I needed to join, not for my own sake but for the band's. I knew I was a necessary ingredient.

Having Dierks Bentley on a song is one of the coolest things I've ever gotten to experience. For one, him agreeing to do a song with me but two, getting to share that moment in the studio.

I'd like to produce something with Kanye. Like, my production plus his, I think he'd make something really cool.

Common and I have a long history of making great music together.

Broken Clocks' is actually a song I produced for my boy River Tiber featuring my boy Daniel Caesar.

I work on music with different people, and I work on music on my own. That's my life.

Each song is a little snippet of my life - and I got to work with Rudimental!

I really don't believe in going too far out of your way to hunt down somebody to do a song.

For years I've wanted to work with this guy, so to actually write at the top of my scripts "Empress, Script by Mark Millar, Art by Stuart Immonen" is an absolute pleasure.

Movies affecting music has caused me to collaborate a little bit better.

I love every song that I did with Pancham and Gulzarbhai.

Even I would be unhappy if the final track did not sound good to me, which is why I stay in the loop with the music team till the song is ready.

A lot of my friends who I wrote or produced songs for came back and helped me make 'Pages.' It's better than I ever could have imagined.