Michelle Phan Quotes

There was a teacher who recognized that I was interested in cartooning and he was great.

The whole point of art school is that you're going to be able to have nudes all day long and a teacher who is there to move you. It's great. I did a tiny bit in the one school in Paris, and it was wonderful because you'd have a nude taking a crazy position, and you'd have 10 seconds to do a drawing. Then you'd do a one-minute drawing.

When I was very, very young, seven years old, I heard there was school where you could go to learn to draw. That was my absolute driven passion, to become an artist or a painter. So the romantic realist in me, I studied to be a graphic design artist and an art teacher.

I went to school at the San Francisco Art Institute, thinking I was going to become an art teacher. Within the first six months I was there, I was told that I couldn't be an art teacher unless I became an artist first.

I myself saw the great works of Western civilization for the first time in my high school in Lithuania in bad black-and-white reproductions on miserable paper. That was, for many years, what art was for me. But from those miserable black-and-white reproductions, I got something, something unmistakable.

Being creative is my idea of heaven. I'm just incredibly fortunate that I can do it in artwork. Watercolor is what I started out with. What I love about watercolor is that a lot of happy accidents occur.

At 16, when I was at Henry M. Gunn High School, I had a crush on the English teacher, and my grades improved dramatically. This great school had only 400 students, mostly children of Stanford professors, and it was more usual to have classes under one of the oak trees dotted around the campus than in the classroom.

Your kids might feel more apt to try some art of their own after viewing contemporary works that are far less intimidating than those of the Old Masters.

My whole life, I've always had to be surrounded by creative things. I find it relaxing to be in touch with creations by other people.

My younger sister had kids before I did, and managed to earn a master's degree while raising them as a single parent. Now she's a brilliant second-grade teacher. I'm in awe of her ability to juggle everything and still be a great mother.

My father was a trained accountant, a BCom from Sydenham College and a self-taught violinist. In the 1920s, when he was in his teens, he heard a great violinist, Jascha Heifetz, and he was so inspired listening to him that he bought himself a violin, and with a little help from an Italian teacher, he learned to play it.

Among the great names that adorn the roll of Nobel prize-winners in Medicine is that of Otto Meyerhof, my admired teacher and friend, to whose inspiration, guidance and encouragement I owe so very much.

Something happened when I was in elementary school. A Disney artist named Bruce McIntyre retired, and he had done drawings for 'Pinocchio' and 'Snow White' that was just classic stuff. He moved to the town I grew up in, Carlsbad, and he became a part-time art teacher at our elementary school.

I meet kids now who become novelists, poets, write for the theater and movies, who were simply inspired by what they saw during the Spoleto Festival.

Experience was my only teacher; I knew little of the modern art movement. When I first saw the works of the Impressionists, van Gogh, van Dongen, and Fauves, I admired it. But I had to seek the true way alone.

My mother was an artist, and I was fairly good at art as a child. I was always the best drawer in class, except in second grade when an artistic genius passed through our school!

My first concern was to take care of my drawing. I did not have any knowledge in arts, especially Haitian arts, apart from the paintings I saw in my father's office.

There have been many different artists that have been inspirational. I suppose the question is directed to what was the reason why I went into fantasy illustration.

My mother was a high school arts teacher, so I was always surrounded by the arts.

Art owes its origin to Nature herself... this beautiful creation, the world, supplied the first model, while the original teacher was that divine intelligence which has not only made us superior to the other animals, but like God Himself, if I may venture to say it.

I was exposed to the arts, but there was no one in my family who was an artist.

I grew up in Rome, in actually what I would say was a liberal, open-minded family. My father was an architect and my mother was a teacher of art history, so it was sort of intellectual, and maybe a bit much for me when I was a child.

I first started going to shows when I was about 16 - seeing local bands. I mean, I loved music before that, and I played a bit of guitar when I was younger and thought maybe I'd become a guitar teacher or something, but when I saw other kids doing it, I was like, 'Whoa, these are great bands! I can do it, too.'

There's a film I did called 'Front of the Class', about a teacher who had Tourette's. That was a beautiful blend of drama and comedy. There's some great moments of levity in the script.

We often grow up being told that we can do this or that, but if you don't see anybody that looks like you doing it, you don't believe you can do it. But I had great teachers, and I wanted to be a great teacher.