Glenn Beck Quotes

To be successful in talk radio, you have to have a conservative audience as well. Not enough liberals listen to it.

I was a radio presenter in Dubai for five years.

I started in radio.

The good thing about radio is that it's the kind of career that really is a career with longevity. It's something you can do as long as you want to do.

In radio, they say, nothing happens until the announcer says it happens.

I decided to try radio as a source of livelihood because I like to eat regularly.

I only got interested in radio once I talked my way into an internship at NPR's headquarters in Washington, D.C. in 1978, never having heard the network on the air.

As a radio DJ, I was on WRIN-WLQI. And even when I repeat it, it's horrifying. My morning sign-on, because it was in Rensselaer, Indiana, it'd be, 'You're on the air with Jim O'Heir in Rensselaer.' Ugh, oh my God, pathetic.

If it weren't for radio programs like 'The George Jarkesy Show,' no one would know about 'The Amateur'.

I started in radio, again accidentally. I wasn't looking for this kind of work at all.

It took, for me, a long time to develop this idea of what to do on the radio. But from the beginning of my time in radio, I had pretty non-traditional tasks.

One survey that I saw that was published I think in Variety or Electronic Media within the last three weeks says that now the average hour of radio in the United States has 18 minutes of commercials.

I'm so excited. I love radio and being on the new Mix 102.9.

I left school at 17 and was a star by the time I was 18 - in certain parts of the world anyway.

I'd earned over a million dollars by the time I was old enough to vote.

At Johnny's suggestion I pursued a career in radio that eventually brought me to Los Angeles.

Radio was my first love as a broadcaster and where it all began for my on-air career.

Ray and I both grew up with radio. Our whole hopes for the future were that we'd get into radio.

I felt like people who had a lost mindset or who occasionally did stupid things were having a 'donkey' moment, or some of them are permanent donkeys, so I just started calling them donkeys. So when I went to Philly to do my own morning show, that's when I first started doing 'Donkey of the Day.'

At 14, I began working in radio. I ran the board at a little radio station in Dallas.

If getting on the radio was a major motivation, I'd be one of the worst writers of all time. I admire people who do it, and I think it's a nice way to work, but I try to do the best I can and write what I like. I don't worry about it.

I've been in radio, God, twenty years. I started as a stand-up comedian. I wanted to be Carol Burnett when I was growing up. Radio was just kind of an accident. I did morning radio in my hometown of Buffalo, then went to Rochester, then Chicago, and then New York.

By the time I came to the States, I really understood how a magazine works. I came to 'Vogue' as creative director, and three years later I went back to London to be editor in chief of British 'Vogue.'

I used to have a radio show. That's how I started foolin' around with recording.

People don't understand this, but I started very young, and I became very, very successful at a very young age. By the time I was 26 years old, I was a multimillionaire. And I started with nothing. And I was on the road 10, 11 months a year.