Emma Donoghue Quotes

If you're writing a book where you want to make a positive truth claim, then you should absolutely call it nonfiction or memoir. If you don't want to make that claim - if that's not what's important to you; if you're more interested in storytelling and interiority and interpersonal relationships than in objective, checkable facts about the world - then why wouldn't you call it a novel, and take advantage of what that gets you, of the extra freedom, of belonging to the tradition of the novel?

When I finally got tired of arguing with her and decided to write a novel as if I was some kind of formulaic, genre writing drone, just to prove to her how awful it would be, I wrote the first book of the Dresden Files.

I always think about the books I'm doing in pretty much the same way. I'm simply trying to write that particular novel as well as that particular novel can be written. I want to listen to what it is telling me, trying to figure out what it wants to do as much as what I want to do with it. There's a negotiation that's constant and ongoing between me and the material I'm working with, because I'm trying to listen to it.

I feel like they are two different things, and when I write books, they're just books. If they can be movies that's okay. But I would write a novel that couldn't be a film.

Objectifying your own novel while writing it never really helps. Instead, I guess while you're writing you need to think: This is the novel I want to write. And when you're done you need to think: This is what the novel I wanted to write feels like and reads like and looks like. Other people might call it sweeping or small, but it's the book you chose.

Books have their destinies like men. And their fates, as made by generations of readers, are very different from the destinies foreseen for them by their authors. Gulliver's Travels, with a minimum of expurgation, has become a children's book; a new illustrated edition is produced every Christmas. That's what comes of saying profound things about humanity in terms of a fairy story.

And it's kind of my own fault too, in the sense that I've used my own life as a literary device so much. I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. I find that most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen.

The media only writes about the sinners and the scandals, he said, but that's normal, because 'a tree that falls makes more noise than a forest that grows.

Many family planning clinics and - and programs that service women have refused now to take women's - United State's money because they feel that it would be unethical, and it could injure their clients even more, their patients even more. That has to be changed.

I think novelists, when they write their books, end up having occasionally serving a purpose and playing roles that they never really fully either intended or even understood.

In one sense, the Stanford prison study is more like a Greek drama than a traditional experiment, in that we have humanity, represented by a bunch of good people, pitted against an evil-producing situation. The question is, does the goodness of the people overwhelm the bad situation, or does the bad situation overwhelm the good people?

It can be hard to write a skillfully entertaining fiction, but a great book wants to be more, and wants more from us.

The best that can be said about embryonic stem cell research is that it is scientific exploration into the potential benefits of killing human beings.

A good science fiction story is a story with a human problem, and a human solution, which would not have happened at all without its science content.

I wept heartily over this poor little deceased soul. It was the first sentient being I had ever killed. I was now a killer. I was now as guilty as Cain. I was sixteen years old, a harmless boy, bookish and religious, and now I had blood on my hands. It's a terrible burden to carry. All sentient life is sacred.

I couldn't imagine someone playing me or writing a book about who I am. Although I let people write articles and try and express who I am, and it blows up wildly in my face.

I don't think we [with Kate DiCamillo] intended to write a book about friendship, I think we intended to write a book about two friends.

Everyone always asks, was he mad at you for writing the book? and I have to say, Yes, yes, he was. He still is. It is one of the most fascinating things to me about the whole episode: he cheated on me, and then got to behave as if he was the one who had been wronged because I wrote about it! I mean, it's not as if I wasn't a writer. It's not as if I hadn't often written about myself. I'd even written about him. What did he think was going to happen? That I would take a vow of silence for the first time in my life? "

Western media only intensified the climate of fear and insecurity...

But once an idea for a novel seizes a writer...well, it’s like an inner fire that at first warms you and makes you feel good but then begins to eat you alive, burn you up from within. You can’t just walk away from the fire; it keeps burning. The only way to put it out is to write the book.

At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.

Writing a book is hard. It turns out, writing a second book is twice as hard.

When I need to take a side, I write a newspaper article and I tell my government, "You should not do that, you should do this." They don't listen to me, but I've been doing this for sixty years now. But, when I write a novel, I am not in that business.

Kids love to be silly, they love to laugh, so I think it was natural for my kids to like the sort of books that I write - and it's the only kinds of books I'm capable of writing.

If you have written something that the film people want, like a book, it does give you a way in.