Graham Moore Quotes

I've been more and more into production lately, and I really, really love that. I love recording.

I write and do all my arrangements on my Mac. And um, I use Logic Pro, which is a great software program.

Today, computers help us making the music. It's really a tool.

Bobby is really the one who did all the editing on that stuff. And he did all the mixing. I particularly like the record we did with Logic because Scott Harding did a great job mixing it. He's really a killing engineer.

Paul Hicks is the only guy The Beatles will allow to arrange, mix and engineer their music, so he did the Cirque du Soleil 'Love' show.

I started recording in my sophomore year in high school. I recorded things on my cell phone in my basement.

I talked to the record company about what I had in mind. They said they wanted something lush. I figured the best thing to do was let them hear what I had in mind.

I've built an 8-track studio in my house that's virtually identical to what they used at Abbey Road, and I also own the 16-track set-up that Led Zeppelin used to record 'Houses of the Holy.' I'm interested in producing, but I'm mostly recording my own stuff.

Well, I've been recording myself on a computer since I was about 13 or 14. So it's completely entwined with my creative process. Essentially, it allows you to make music that's better and smarter than you are, by using your ears to lead the way.

One always has to remember these days where the garbage pail is, because it's so easy to make sounds, and to put sounds together into something that appears to be music, but it's just as hard as it always was to make good music.

You don't have to be a good musician if you've got certain computer skills.

It's lovely being a producer. It's really a lot of fun and I can learn a lot.

What producers did was mostly recording in the studio, so it never changed our sound just that much.

It's big production. It's huge. It's using studio technology to your benefit. You don't go in and play live and then just take the tapes and get them mastered. You have to create.

I love recording music.

For my second record I had gotten ProTools (program) and started to familiar myself with hard disc recording.

I want to make big-sounding pop records.

My first love is producing.

I could wake up six in the morning, go downstairs and record. I learned how to use ProTools and everything. Whenever I felt it, I could record.

I've always been interested in what happens in the studio.

My very first records, I was very interested in how you get the particular quality you want out of it, and I began to learn about the engineering and aspects of production and things very early on. I got hands-on with the process and taught myself how to engineer, as opposed to just being a producer who asked the engineer to make it sound nice.

When I started working on my own music, I didn't have the chance to record in a big music studio, so I had to record everything myself.

When I was 12, I went to boarding school, where I discovered the computer, which meant I no longer had to write something down and get someone to play it, I could just type it into the computer and hear it back.

I realized I liked being in the studio and working on translating the ideas into recordings.

I don't like to produce albums. I hate producing albums, as a matter of fact, because I'm an obsessed mixer and I can't leave it alone.