Corey Feldman Quotes

I would love to do a musical. I would love that. I would have to find the right book, the right story, but some day I'm going to make one. I would really like to go off and direct a musical. That's what I would really like to do when I grow up.

I want to write musicals for my whole life. I always did.

The Opera is obviously the first draft of a fine spectacle; it suggests the idea of one.

Lyrics can't do what they do - or should do - when you're creating a musical with rock lyrics. There's plenty of room for rock musicals, just not all rock musicals.

I hope Green Day write more for the theater. They're brilliant at it.

A musical is really one of the most complicated beasts. It's a play, and there's music... and there's dancing... it's unbelievably satisfying to get something up out of your brain onto a piece of paper ... and start the process and then see it on the stage.

I write music to both the situations and the lyrics in plays.

For me, you say the words 'concept record,' and the first thing I think of is theater or the opera or something.

For me, few things are more compelling than watching a great opera.

'Evita' was four pieces of slick paper and a record album. It's the most scary, to sit down and dictate a musical scene by scene. It was a musical unlike anything I'd ever seen before myself.

Later, I even appeared in a Rock Opera with Richard Gere.

The negative is the equivalent of the composer's score, and the print the performance.

What about Broadway? Yes, I'm involved with a new musical based on 'The Adams Family.'

I have thought about some kind of musical involving my music. That would be kind of interesting. I have thought of it in that way, as a creator of something, not so much a performer. So that's in my head.

I like to create the music I hear in my interior. As a conductor, you have the ability to squeeze the sounds and interpretation you asked for from 50 to 80 people.

Some of my own books are being developed - one as a Broadway musical.

The one thing I have always felt about musical theatre is that it is, to an extraordinary degree, about construction.

I am excited and honored for the chance to sing the music of the iconic women I grew up idolizing, alongside three fabulous and funny gals in 'The Marvelous Wonderettes.'

I've always considered rock 'n' roll, the music and the dancing, an art form.

The Greatest Showman' would be an amazing Broadway hit.

Musicals are good times. I live to do a musical, there's nothing like it, no experience like that in the movie business. You don't get to pull all those triggers at the same time doing anything else. Nothing pulls that from you. Dancing, acting and singing is like "Alright, I gotta fire on all cylinders right now" because that's what it requires. It's fun getting to exercise all those muscles.

I got to see Linda's [Hart] live when it first came on Broadway. I just loved her. I've always been a fan of hers.

I don't like the word rock opera, but I'm trying to write on that level that's reserved for plays still, or novels.

My whole life, I've been watching conductors. I was 7 the first time I played with a conductor. Seeing the ones that do it well, it's an amazing thing.

Whenever I get an idea for a song, even before jotting down the notes, I can hear it in the orchestra, I can smell it in the scenery, I can see the kind of actor who will sing it, and I am aware of an audience listening to it.