Bill O'Reilly Quotes

I am a disco king.

I don't go to clubs. I don't know what club mixes are supposed to sound like.

I used to go to rave parties, too, but I was never savvy with techno.

The first record I ever danced to in a grown-up disco was Donna Summer's 'A Love Trilogy'. I danced for the full 15 minutes and I thought to myself, 'This is it, this is what it's all about.'

I never went to any disco, I didn't know anything about dance.

When disco came around the first time, there was this real core of progressive thinking and a positive lyrical content - about freedom, the possibilities of love, change and expression.

I was a clubber in the Nineties. I went dancing every week.

If anything, a lot of electronic music is music that no one listens to at home, hardly. It's really only to be heard when everyone's out enjoying it.

Disco deserved a better name, a beautiful name because it was a beautiful art form. It made the consumer beautiful. The consumer was the star.

When I got old enough to go to night clubs to hear that music at the age of 15.

The world changed on us. In a world where there were singles bars in every city, women weren't going to go out and hang out in a Playboy Club.

I wouldn't call myself 'into the DJ scene.' I have friends who are DJs, like James Murphy. I was really into the DJ scene at his wedding. But generally, I'm not at the clubs. I've never been to a rave.

Dance music tends to be a solitary affair.

I used to be a party monster, very into Acid House, which I saw as my weekend reward for working hard all week.

I wanted to make something that, from the sound of it, could be down at the club. I just realised that I'd never heard Tame Impala played somewhere with a dance floor or where people were dancing.

Sweetest High' is for the clubs, that's what it was for. It wasn't supposed to be anything serious.

Atlanta is down south, the club. So the most thing played down there is club music. Everybody wants a hit.

Songs with simple lyrics really take off in Irish nightclubs.

They call me a legend in my own time, because there were so many queens gone that I'm one of the few queens left from the '70s and the '80s.

There's nothing wrong with wanting to be in a disco band.

I grew up with go-go music. We wasn't really hip-hop fans.

One of the secrets is, for us, we pick our demographic. If other demographics want to like it, then by all means. But essentially, we're making music for the party, for the club.

I have a pop sensibility, which I think comes from all those weekends spent in nightclubs.

I go out pretty much every night, and when you spend time in those clubs, watching how the DJs make their mash-ups to heat up the room, you want to create that sound yourself.

I was going out dancing in clubs around New York, and that helped create 'Supermassive Black Hole.' Franz Ferdinand would have done it very well with that dance-type beat going on mixed with alternative guitar, and I've always wanted to find that.