Jason Wu Quotes

Every time I get dressed, I try to channel a little bit of Kanye West and a little bit of Sailor Moon.

I've been thinking a lot about Lady Gaga and what she means for feminism. I think - I find her completely fascinating, and I really like what she has to say.

When I approach a collection, I never think too much about myself, because doing fashion and being a designer, you need to dream. Of course, there's always a part of myself. I'm always wearing what I'm doing. I'm not a party girl, but when I have the opportunity to go out and dance and be crazy for a night, that's the fall/winter collection.

I design for the woman I wanted to be, the woman I used to be and to some degree, the woman I'm still a little piece of.

What I love in fashion is to tell a story through a creation.

I think fashion is intensely personal. It should be. It should give a woman a creative outlet, it should give her a little bit of an escape, and it should give her a little bit of individuality that she can add to her life. I don't mean redoing your entire closet. I mean that a great shoe or a great handbag or a great top or a great coat or jacket can change everything.

Barbie is my fashion icon. People think I'm Paris Barbie - and it's a compliment.

I am not a good professional of fashion. I am not an expert about how clothes are constructed or the history of fashion. I never start with fashion. I always think of the girl and her personality - because all that matters to me when you look at a page is, "Do you want to be that girl?"

I think that fashion is very important for me and I think that it's a wonderful means of self-expression.

There are so many urban pop ideas that are underserved, and I think Hollywood doesn't see us and misses the opportunity to integrate.

I try to make Play Cloths really representative of me and my designers they look at my evolution as an artist and in fashion and they [zero] in to different details. I come into the office some days and they're like, 'What are those?" [I say,] "[These] are Philip Lim...[I'll] have on Philip Lim sweats and they go and put their spin on it.

Because I worked in fashion, I know that I like fashion. Haute couture is a form of art that I can appreciate. I'm definitely not someone who wakes up every day and thinks about what I'm going to wear, but on the red carpet, it's reflective of the mood I'm in, or the movie I'm going to represent.

I definitely think that fashion is a form of art and love that people can express themselves through what they wear.

When it comes to fashion, I'm just inspired by anyone who has their own flair or piece on anything. I love originality. I love when people bring some bold and don't do what's been done or being done. I don't think I have anyone in particular. Just anyone who's original really inspires me.

I think it [Trouble In Mind] was the only time Divine didn't appear in drag, or certainly one of the few times, anyway. Alan created a time and place that was no time and no place, so it was not identifiable with any particular period or any particular city or any particular country, for that matter. I mean, everybody spoke English, but that was about it. So you couldn't pigeonhole that film.

I was in Paris, when Kanye [West] was doing his line and I stopped like, "Woah why are you doing womenswear and why do you think you can do it?" He was like, "Why? You don't know what you like to see women in?" I was like, "Yea but still women are so intricate."

I’m elated. I guess it’s better late than never. Welcome to the 21st century. It’s fantastic. I love Dior, and Rihanna is very much one of my style icons. I’m happy they got there in the end. I adore her style. She loves fashion, she’s unafraid. She uses her imagination, which is something we should all strive to do.

I think somebody like Wes [Anderson] has a very good sense of style and is original. I think my sense of style got a little bit better after I was exposed to you guys at Valentino. Because I'm just in Hawaii and Malibu; it's just kind of T-shirts and surfing-type stuff.

I was literally 3 years old when I started drawing. I did it all my life, through primary school, secondary school, all my life. I always, always wanted to be a designer. I read books on fashion from the age of twelve. I followed designer's careers. I knew Giorgio Armani was a window-dresser, Emanuel Ungaro was a tailor.

I love bows, … And I feel some couture pots coming on.

I think people who are attracted to the fashion industry are people who are really insecure and looking for a certain identity.

I think '60s are appealing to creative people, because it seemed to be a time of endless possibilities, when the boundaries of what could be considered popular culture were being expanded almost by the week. It doesn't feel like that anymore. At times, I wish it were so. Radio is a perfect example; good God, I mean, back then the most interesting songs were also hits, and that's just not true anymore. It hasn't been true in a long time.

Fashion for me is another way I get to express myself creatively. It is one of the fun things I get to do: to play dress-up, and create outfits and looks that aren't typical. I am an artist, so I like creating things. Shoes are my favorite thing.

My mother knew if you bought a couple of really good architectural outfits and put your money into accessories, you could create a million different looks. She taught that to me, which I think was invaluable.

And then Gossip Girl completely blew open the door to fashion for me. I'd go to fashion shows and call my publicist and say, 'Can I wear that?' I think I became my own stylist by not knowing any better. And once I was told it was time to get one, I thought: This is one of my favorite hobbies! And I'm going to pay someone to steal my hobby from me? That's a terrible idea!