Joshua Oppenheimer Quotes

An awful lot of filmmaking and playmaking is taken over by marketers and publicists, who set about to tell people what to think. And people feel safer that way. But it's not safe, and the whole wonderful thing that cinema and filmmakers can contribute is to go into the not-safe land of real life.

When I'm making a movie, it's making use of my creative juices, and it fills me up with what really is - I think my purpose here is to tell stories.

I think "honest" sometimes gets used to describe a real depiction of real life. I don't think that's necessarily what we're doing. We created these fake characters and we're just trying to figure out what they would do in situations they enter into.

The truth is that we have to, as American citizens, stop thinking that this life that we're living, the things that we're dealing with, is some reality TV show. This is real life, real children, real situations.

I am a director and I think actually they're not that different - dramas and docs aren't that different. When I'm doing a drama I'm trying to make things feel as believable and real as possible. The hair, the make-up, the costume, the design, you're trying to make it authentic. And when you've got a documentary it's all authentic, so what story are you going to tell and how do you make it dramatic and exciting? It's the same thing.

[On the] question of why we might want to look at images even more than the real thing: I think there is some quality when you look at an image of, not only seeing this thing, whether it's the horse or the sky, but you are seeing somebody point at it and say, Look!

In fact, I think every book I've written has been inspired by a real event.

Comedic actors can be looked at as a lower form because we have to put ourselves in a lower place than most of the audience. I think lofty emotions are somehow considered more special. The best stories in the world to me are the ones that elicit a real emotion, but have humour.

I think that's one of the biggest goals I had in making a movie, was listening to what other people had to say.

I'd say that directing is in my heart. And that's where my focus is, like a laser beam. That's what I've been studying for a long time, and I think that everything that I've done before has contributed to the development of my craft as a director.

I think there were moments on Snow White where I wished there was a little bit more of a sick humor toward Ravenna. But maybe the tone of the movie couldn't really support that. So you always have to kind of figure out where you are and adapt to it.

I think 99% of the whole thing is to have passion about the idea yourself. I think part of your job as a filmmaker is to tell someone that might not think it's going to work that, actually, it will work.

I think people are willing to take more of a risk on an indie film, about character, etc...but at the same time, when I work on projects that are substantially bigger, in a way they do feel small. Even though the catering is way better and we actually have someone shooting with real film.... The budgets are bigger but the story still feels small, like an indie film.

I make a distinction between true and real. I think that the story is true, it’s just not real. That’s what a parable is. It takes things that we all know are real, and it takes life events that actually happens, and it weaves them into a fiction that allows truth to actually be embedded.

I think sometimes a narrative can come out of a single word.

We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.

Where the real world changes into simple images, the simple images become real beings and effective motivations of hypnotic behavior.

I think one of the hardest things to do in film or TV is to make something feel real, which is weird because it's about being a person, and life is something that everyone making films and TV can relate to.

I think as a filmmaker you try not to have any expectations other than that the film have a fairly substantial beginning, middle and end.

Americans don't really think that other places are as real as America.

I made some shorts that I'm not in. I think because I write so many short stories, it's not that hard to come up with characters that are not me. But my way into making movies has been through performing. My very first short film, I played a child and her own mother. So in some ways, to me, my great achievement so far is just that I've gotten all these other people to play the other parts. That's what makes it a real movie.

The world's like a ride in a fairground & when you choose to go on it you think it's real, that's how powerful our minds are

I think of filmmaking as a form of communication. Maybe it's also an art, but that's for somebody else to decide.

When I'm talking to someone I think 'can I use this dialogue in a book,'" said Luis. "If the answer is no I try talking to someone else.

There are people. There are stories. The people think they shape the stories, but the reverse if often closer to the truth. Stories shape the world. They exist independently of people, and in places quite devoid of man, there may yet be mythologies.