Chris Cornell Quotes

For every child prodigy that you know about, at least 50 potential ones have burned out before you even heard about them.

There are so many young women who throw their talent away.

For me, the saddest thing in the world is always lost potential. That is always the most heartbreaking thing, when there's something left to be mined from a situation or a person that goes unexplored; that's a tragedy to me.

I think that most people have deeply creative sensibilities.

Time ticks by; we grow older. Before we know it, too much time has passed and we've missed the chance to have had other people hurt us. To a younger me this sounded like luck; to an older me this sounds like a quiet tragedy.

Ineffective people live day after day with unused potential.

I kept thinking that with all those first jobs, "This is the beginning of something!" And then nothing would happen. That's the real Hollywood.

I wasn't really quite sure where Heath Ledger came from, and I think that's the feeling most people got when they were around him and why he was so extraordinary.

I think maybe the most important thing that I or anybody at my company and any of my colleagues can do is establish a trusting, productive, collaborative relationship with creative people.

I wonder what becomes of lost opportunities? Perhaps our guardian angel gathers them up as we drop them, and will give them back to us in the beautiful sometime when we have grown wiser, and learned how to use them rightly.

Have we not all, amid life's petty strife, Some pure ideal of a noble life That once seemed possible? Did we not hear The flutter of its wings, and feel it near, And just within our reach? It was. And yet We lost it in this daily jar and fret, And now live idle in a vague regret; But still our place is kept, and it will wait, Ready for us to fill it, soon or late. No star is ever lost we once have seen, We always may be what we might have been.

There was no particular point at which I stopped being promising.

I think it's a total fallacy for people to say, "You couldn't make those old movies today." I think there's more ways to get a movie made today than ever in the history of the entertainment industry. It's a very exciting time to work in movies, if you're a creative person looking to make a very personal, weird vision.

We are silent, considering shortfalls. There's not much time left, for us to become what we once intended. Jon had potential, but it's not a word that can be used comfortably any more. Potential has a shelf-life.

It's not the norm when creators have any protections with regards to creative control. And so it took some time, I think, for the strip to gain enough popularity where I had enough leverage to come in and say, "It has to be done in a certain way or it's not going to be done at all," and then have people willing to put up with that who were ultimately paying for it. You know, for them to be willing to kind of concede those kind of things. It just takes time, you know?

A lot of people just capitulate and say, "Well, that's just the way things are." I think that can be deadly for creative people.

One is not allowed a grief for a life never lived. Yet one has buried the fruit of love, and a great deal of hope and many dreams.

I think I'm what they call a never-was.

The first people who died of AIDS were artists. They were the most interesting people.

What torments me is not the humps nor hollows nor the ugliness. It is the sight, a little bit in all these men, of Mozart murdered.

People know that both my parents were shrinks so I was sort of raised in an atmosphere where there was that interest in the human mechanism and the human psyche and what makes people tick. And yes, I think I'm particularly creative and adventurous and improvisational and spontaneous in my inner impulses and patterns and deeply curious and appetized in the unfathomably mysterious and delicious phenomena that is the human being and who we really are.

That was Youth with its reckless exuberance when all things were possible pursued by Age where we are now, looking back at what we destroyed, what we tore away from that self who could do more, and its work that's become my enemy because that's what I can tell you about, that Youth who could do anything.

I think that, especially with cable, it's an avenue to be creative. I think why people are drawn more now to cable shows than ever is that they take more risks, they're creatively pushing the envelope. I think that the networks have to answer to a bigger advertising calling, whereas the smaller cables have lower ceilings that they can bump their heads on.

I think that all writers feel alienated. ... I know that I do. ... I still feel, as I think most creative people do, absolutely isolated.

There are many people who could be Olympic champions. All-Americans who have never tried. I'd estimate more than 5 million people could have beaten me in the pole vault the years I won it... at least 5 million. Men that were stronger, bigger and faster than I was could have done it, but they never picked up a pole, never made the feeble effort to pick their legs off the ground trying to get over the bar.