Mark Hoppus Quotes

Around 2009, my audience started getting a lot more mainstream - younger people, R&B and hip-hop fans mixed in with the jazz audience.

That rock ‘n’roll, eh? That rock’n’roll, it just won’t go away. It might hibernate from time to time, sink back into the swamp. I think the cyclical nature of the universe in which it exists demands that acquiesce to some of its rules. But it’s always waiting there, just around the corner,” he added. “Ready to make its way back through the sludge and smash through the glass ceiling, looking better than ever. Yeah, that rock’n’roll, it seems like it’s faded away sometimes, but it will never die. And there’s nothing you can do about it.

Rock 'n' roll can be fun and dangerous at the same time.

Rock'n'roll starts between the legs and goes through the heart, then to the head. As long as it does those three things, it's a great rock song.

There are all the offsprings of people who are influenced by punk. It sounds completely different - but it's still rock 'n' roll. When hip-hop came on the scene, it was the last legitimate creation of a new genre.

Where I think Milo [Yiannopoulos] ran into trouble -when word spread that Milo had been invited to be the keynote speaker at Conservative Political Action Conference. I think CPAC, by inviting Milo, was an attempt to reach out to Millennials. I mean, they know. I know plenty of young people that think Milo is great, love Milo, admire Milo, think he's courageous doing what he does.

In the '70s, everybody thought drugs were just good times. People didn't really know about drug addiction, or that such a thing existed. When I grew up in the '70s I thought you had to take drugs. It was almost like I didn't think you had a choice.

In a way, as much as we love to be a big, loud rock band, the acoustic album was a lot easier to make than the rock records. I think because it was brand new territory for the band.

At seventeen most people get their ears pierced or get a tattoo or something slightly taboo. That is what I love about Rodrigo Garcia, he's not conventional. He's someone who sees people in extraordinary ways, and forgives them for being such.

What does bother me is that I have to spend time and energy dealing with the ramifications of what people do think about me.

It's just people who grew up in that time are suddenly old enough to be creators themselves, but I think they have a little perspective. I'm 40 now, and I have children of my own. Before I forget my own childhood completely, I want to take some time to take a look at the '80s and think back.

They were like the man with the dungeon stone and gloom, rising from the underground, the sordid hipsters of America, a new beat generation that I was slowly joining.

I hope I'm always lucky enough to be able to work in theater, TV, and big films and small films. I think there's advantages and disadvantages to all of them. The fact that this was a small film without much money and without much time made it rich in energy and momentum and drive when we were actually making it 'cause that's all you've got. You've just got the story and the people.

It makes me extremely proud to make punk rock the biggest music in the world right now.

I use 'wicked' all the time! It's part of my slang! When something's really rad, I'm like, 'That's wicked.' It has many meanings but worldwide, it seems like young people think it alludes to being either the naughtier side of you, or the trendier, cool side of you. I like it either way.

I think artists should be able to do different things whenever they want and I like the way I am. I'm like - I ain't gonna say the only street rapper, but the only mainstream, new, young street rapper there is right now and I'm doing well with it.

When you need encouragement, think of the qualities the people around you have: this one's energy, that one's modesty, another's generosity, and so on. Nothing is as encouraging as when virtues are visibly embodied in the people around us, when we're practically showered with them. It's good to keep this in mind.

Rebelliousness really is the province of young people-that kind of iconoclasm.

Rock 'n' roll is meant to entertain. Hippie folk singers are supposed to be singing about leftist views, but I don't think rock 'n' roll was ever that way. I don't remember the early rock 'n' rollers ever expressing any political views.

What we are saying is, we've got three aluminum factories, let's work with that, we cannot change that. Why not have the Icelandic people who are educated in high-tech and work already in those factories in the higher paid jobs, why not let them build little companies who are totally Icelandic with the knowledge they have? Then they get the money and it stays in the country. Then we can support the biotech companies and the food companies and all these clusters. I think that if you want to be an environmentalist in Iceland, these are the things you've got to be putting your energy into.

In many ways, I have no idea what would have become of me if punk hadn't happened, because the '70s turned out to be so stale, and so boring, and so backward compared to what had come just before. We were too young to have fully experienced the '60s and the fervor of the anti-war movement.

I'm sick of all these young people just boogeying around, wasting their lives, you know.

Rock n' roll is about attitude and rebellion. It's supposed to be fun and spontaneous.