Judd Nelson Quotes

I was just after Generation X. I missed the John Hughes movies; I had to watch them on TBS.

I grew up in the '80s and John Hughes was the filmmaker making serious movies for teenagers.

An entire empire built on teenage angst, yes? Thank you, John Hughes!

John Hughes had such a huge impact on filmmaking.

If you watch any John Hughes film of the eighties, that was my childhood experience.

It was fun to play that surreal high school life [in Jawbreaker]. I was a huge fan of the movie Heathers. But I think at the time - you know, when the movie was released, it was a very limited release, and it didn't do very well at the box office. And I love the fact that it has found legs and that the audience has kept growing and growing over the years.

It's weird because I think of movies like Reality Bites or something, where, even though my life was nothing like that, I hadn't done something contemporary for a while, and it's easier. You do try to make something your own.

I think everybody would love to say they were in a movie. Whether or not I'm any good at it, I don't know.

I am very filmmaker oriented, as a producer. I think the most important thing is that you have to really choose the players carefully.

[Lauren Ambrose's] character [in Can't Hardly Wait] feels real and unexaggerated and becomes sort of a heroine archetype. I think that was cool. It wasn't in every one of those comedies.

It was good but it was just a tiny bit uncomfortable because it was a day of lying in the bushes and I think I got a major muscle thing going on there! But it was good. It was fun. That is one of the things you get to do in film that you don't do, or that I don't do, in real life. I can't speak for Dermot [Mulroney]! But it was fun.

My strategy to show caricature idea of American youth culture, which I think worked after talking about it for so many years, is that I had only a few things. I wanted to buy my own wardrobe for Rock 'N' Roll High School, which of course they said "Yes" to, because their clothing budget was $200, and I ended up spending my whole salary - which I think was about $2,100 - on my clothes. And also, any time I was onscreen, I wanted to have as much energy as I possibly could. I think it just really worked for the character.

When you can sit down with a plain sheet of paper in front of you and make some notes, and, little by little, you see it take shape and become a concept for a movie or a TV show. That's a real thrill. You watch it go from notes on a paper to a meeting with writers and directors and actors. I can't think of anything that's more exciting.

I think casting a show is an art form in and of itself. We're all so different - the cast is made up partly of real stand-ups, partly of actors, and then partly of just legendary actors.

You have rappers saying "stay off drugs, go to school" - empty verbal behavior. I think all of this became institutionalized in the early '90s. And it's become more and more solidified, more and more entrenched.

Funny but, for me, the Bible was a hobby before it was a serious study. It was the thing I'd sneak off and do on the side, feeling rather guilty because I wasn't doing my real school homework or whatever... and never thinking I would make it a life's work.

Me and my friends in high school were the only girls who went to hardcore shows. It was three of us, and the rest of the audience was male. We didn't really think about it. We weren't thinking we were alienated or whatever, but eventually, as there started to be violence in the scene we were in during high school, we started to be turned off by the violence.

I think people say you shouldn't work with children or animals, but you must only work with children.

I think there was a long period of time when we got real invested in a youth culture, and not coincidentally it was when the baby boomers, who let's face it, take up a lot of space on the planet, were young.

Of course you're nervous, but we're really excited to be able to share what we're going to share. And it's cool, because what we're going to be doing, I think for fans especially, we think is really cool, because part of the process that most people don't ever get to see [is] that before these movies are movies starring photo-real apes, they're movies starring the image of Andy Serkis and the other actors, who are playing apes.

I have a tendency to think that that stereotype of American movies and Hollywood movies doesn't exist. Of course you have the studios that have a very hard policy upon their artists, but then I haven't really been doing any real Hollywood movie yet.

High school is closer to the core of the American experience than anything else I can think of.

The art school babe quotes William Blake as she rolls a joint, then I think that I'll score.

Now I'm taking some classes, I'm going to school for film, and I think I'm going to end up back in the industry in one capacity or another. I'm not sure where just yet. I kind of stepped away from it for a few years. I thought I was done with it. But I grew up in it. It's such a big part of my life.

[John] Hughes is a great loss, I think. He was the first filmmaker that could look at someone who was young without seeing them as being less.