Charlize Theron Quotes

I think the more honest you are with the storytelling, the better it works.

I'll say, what makes me happy about making movies is, every once in a while through movies we find a kind of honesty. There's an honesty in fiction that's as effective or even more powerful than the honesty of our lives. We can find something that's genuinely true, like a chemistry between people or a statement that speaks to an audience.

For me, it's very important that shows about gay people are messy and complicated and are truthful about what we do.

I think it's a big chance to take to make a movie that's about as something as pure and honest and something people can relate to everyday.

Speaking about symmetry, look out our window, and you may see a cardinal attacking its reflection in the window. The cardinal is the only bird we have who often does this. If it has a nest nearby, the cardinal thinks there is another cardinal trying to invade its territory. It never realizes it is attacking its own reflection. Cardinals don't know much about mirror symmetry!

Though I was standing in front of a mirror, I wasn't really seeing my reflection. I was seeing, very clearly, that—at the moment—I was all in the world that Eric could think of as his own. I had better not fail him.

I can't do movies where you start thinking "Where's the commercial appeal? How are we going to market this?" It's not that kind of party.

The camera is a mirror with a memory, but it cannot think.

I want to see more young filmmakers, and specifically filmmakers who have a unique voice. I wouldn't mind seeing less of the attempt to force-feed people what others think they want, if that makes sense - whatever the formula is that some people seem to operate under, like needing a certain star, or needing a certain thing in order to get a piece made.

I am a director and I think actually they're not that different - dramas and docs aren't that different. When I'm doing a drama I'm trying to make things feel as believable and real as possible. The hair, the make-up, the costume, the design, you're trying to make it authentic. And when you've got a documentary it's all authentic, so what story are you going to tell and how do you make it dramatic and exciting? It's the same thing.

I always try to write about something that's actually happened or it doesn't always have to have happened to me, but it has to have happened at some point. So every single lyric that you hear comes from some kind of story that I've come across in my life. I like to think that that maybe helps me mean it a bit more and if you don't mean it, it ceases to be soul music.

My indigestion issues got gigantic and constant. And then I started thinking, I'm getting skinny. I dropped about 20 pounds in the blink of an eye. And then when you see it in the mirror, when all of a sudden, you pull your eyes down and the bottom of your eyes go yellow and jaundice sets in - then you know something's wrong.

In 1981, I think, for the Kunsthalle in Düsseldorf. Before that I designed a mirror room for Kasper König's Westkunst show, but it was never built. All that exists is the design - four mirrors for one room.

I think people relate to the music because I have a sense of empathy, and I think I have a good understanding about relationships, and I talk about them in a real, honest way

There are novels that end well, but in between there are human beings acting like human beings. And human beings are not perfect. All of the motives a human being may have, which are mixed, that's the novelists' materials. That's where they have to go. And a lot of that just isn't pretty. We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.

I'm going to make music that reflects me and my life now. So I think people who like my music and who listen to me should appreciate change as well, because I've definitely evolved, and that's a great thing, to celebrate that is what music is all about.

I think people respond to truthful, simple narrative, and the more you try to dress it up to try and do something else, the harder it is for people to relate to.

In writing, fidelity to fact leads eventually to the poetry of truth.

But I also think when we embark on intimate relationships, we make a basic human promise to be decent, to hold a flattering mirror up to each other, to be respectful as we explore each other.

If you just write the kinds of stories you think others will want to read, you'll be competing with cartoonists who are far more enthusiastic for that kind of comic than you are, and they'll kick your ass every time.

'Particularly' is particularly difficult because the 'L' and the 'R' are totally different, like totally different letters. I would spend hours in front of the mirror with my dialect coach to observe my tongue. You don't think, when you speak, about all the things that happen in your jaw and your mouth, how everything reacts, so you have to watch all those things and realise we have a totally different use of our tongue and jaws.

Once you are prepared and you think you have every angle of preparation covered, you have to go for it.

I think that any story that intends on being culturally authentic and true to life experiences will be a great story. Even if that culture isn't a hip-hop-centric one.

The little details really connect for people in ways I never realized before.I think that's why some of the movies have done well, because people are relating to things that I'm willing to expose.

Objects must cease, mind must become just a pure mirror - a mirroring, not mirroring anything - just a mirror without any object in it, a pure mirror. By dhyan, this purity of the mind is indicated. So first, no object should be in the mind. Mind must remain alone without thinking about anything - with no thought, just a consciousness, just an awareness, just an alertness. This alertness without any object is meditation.