Cillian Murphy Quotes

I kind of don't like doing film commentaries because I think they're kind of weird.

A lot of my time is spent watching films and reading scripts. And it can be all-consuming. And it's obviously something I'm fortunate that is both my work and my hobby. It's what I would naturally be doing anyway.

I don't envy the job of people who have to watch five movies a day - that's insane.

I don't watch many films.

Conversations about films are always funny. I would say a majority of people want to talk about what were the more obvious successes; the big box office films. Other people wanting to be more sensitive to you want to talk about the ones that maybe didn't make a lot of money, but they think you might have a special feeling about. And then other people sometimes want to help you by suggesting that you should have done this or that in the movie, that that would have helped you a great deal in whatever capacity.

I don't watch the movies I've been in. I try to stay as little aware of the final product as possible, because my job doesn't really change.

Sometimes I criticize movies. It's not fun to watch a movie with me, because I'll go, "That was a really bad shot." My mom's like, "Shut up, Chloe, watch the film!"

When you're watching, I find two things happen. You either watch a film and it's really good and then you think, "Why can't I do that?" Or you watch a film and it's not good, and you think, "Why am I doing this?" So either way, it feels like being at work.

For me as an actor because I've been at it so long, it becomes much harder to watch movies because you really see the seams of everything.

I don't really enjoy working in TV, to be completely honest, even though it's incredibly lucrative, I'm just terrified of not being satiated in a myriad of different ways. It's amazing that I get to create every day, as an actor, or a director, or a writer, and I get to do it in a variety of different genres and worlds and characterizations. I think that's the great privilege of what we do, we get to make believe. I get to go to so many different places, try on different occupations, take on different points of view. That's what's always been sort of alluring.

It's definitely surreal to watch yourself in a movie.

People make great films. I just don't have the eyes to watch them.

I am not the most annoying person to bring to a movie 'cause I basically hold it in and write about it later or tweet about it. The most annoying people to bring to movies, I think we all agree, are those who read the book first.

Film just chews up actors like nobody's business, and I'm not particularly interested in being chewed up. I think the camera can only look at somebody's face for so long. I guess you have to accept the roles you think are right at the time. You can build a career, but these days there doesn't seem to be that much interest in people being actors.

I don't believe that Citizen Kane or Gone With the Wind, or any damn picture that you can name, would be better off in 3D. I think it's a gimmick. I find 3D distracting.

You finish a movie and you think, there, you've done it, really well, or best you can. But if you watch it, you see it was just bollocks.

I still feel lucky whenever I hear a director say, "Action!" Because then I think, "Whoa, I'm really in the movies. This is a real thing happening." I've never not been enthralled by that. I still love it. I still love hearing it, and I feel really lucky all the time.

In thinking about 'depressing movies,' many people don't realize that all bad movies are depressing, and no good movies are.

I'm a cinephile. I love movies, I love film at every level. I'm a student of it. It informs me as does all art in my music, because there's stories, there's acts, there's moods, there's dynamics, there's moodiness, emotion. All of those things that play into a film. I think that could equally be said about music. It definitely informs me. Beats is stories.

Every time that I'm challenged with a film I think that I haven't learned anything, that every film is different and that every thing that I have learned is useless in this new adventure.

So, most of it was done over the phone. But one of the first things I did as a director, because it's one of the first things you should do, even though most don't, is to ask good actors who they think is right for the part. They know better than anybody. But without missing a beat Maggie said Pauline Collins. I didn't know Pauline because I hadn't seen Shirley Valentine, but then I saw this thing that she did with Woody Allen [You Will Meet A Tall Dark Stranger], in which she was wonderful as a psychic, and I said to her on the phone: "The dialogue seemed improvised."

I love Rambo but I think it's potentially a very dangerous movie. It changes history in a frightening way.

It's weird when you're watching yourself in a film - you can't really detach yourself from the experiences you've had that day. You're never watching the film as a proper punter.

Saw #‎ Birdman . Such singular, audacious filmmaking. Can't stop thinking about the ending.

That was cool, getting to work with Ryan Gosling. I knew he was going to be a huge star after I saw him in that Showtime thing that he did when he was really young [The Believer]. I think the most fun thing about that was I'd never seen somebody that had so many questions about the specifics of everything: where you ate, how much you ate, how much you drank. He's very special.