Norm MacDonald Quotes

I recurred on 'Grey's Anatomy' for three years, and at the same time, I recurred for eight episodes on 'Rescue Me'. And I'd recurred for nine episodes on 'The Practice'. Frankly, the guest star is often the most compelling character.

I don't think I would do a straight late-night talk show, like a 'Tonight Show' kind of thing. But I'm open to whatever is done well. I don't have any agenda. I'm not like Fugazi - I'm not trying to be just so punk rock until I die. Whatever is funny is good.

Eating a lot is an occupational hazard but it's a pretty great problem to have. I spend a lot of time eating sweets on TV - cake, cupcakes, donuts, and pudding. It's a dream job, but at the same time there will be days where I wake up knowing I will eat 15 desserts!

I've done movies with Oliver Stone and Michael Mann. And I've done quite a few dramas in my time, from the theatre to film work. I just think the audience is used to seeing me on 'Saturday Night Live,' and 'K-9,' and 'Curly Sue' and of course, 'According to Jim.' I think that my comedies have been the most popular.

Johnny Carson was a big influence on me - all of those shows I did with him over the years, like, 100 of them, they made a bit of a name for me at the time, so that part of my life was very good.

How do you do something where you're able to be specific and edgy enough to compete with what the cable networks are doing and, at the same time, appeal to a broader audience? That's the line that everyone in network television is trying to tread.

You go from Olympic wrestling into pro wrestling, and it's a very difficult transition, but if you make it, you can earn a great living while at the same time giving amateur wrestling a lot of exposure by being on TV every week. Fans know where you came from.

There's times when I'll see a show, or something cooking on TV, and think, 'That can really be fun when it's working.' But it's a grind. I did that at NBC, it was five days a week. I was doing 'Talk Soup' and 'Later' at the same time. It's a hard job, more difficult than people realize.

There's no job like 'SNL.' There's no other job you go to where you're like, 'Oh, this is like that live, late-night sketch variety-musical show that shoots in, whatever it is, 10,000 feet of sound stage.' There's nothing like it.

I feel my shows are like a late-night talk show that we settle down and do every night.

I was asked to be on 'The Colbert Report' last year as Big Bird and Oscar. But when we got there, we discovered they wanted both characters on at the same time. Stephen Colbert didn't know one man plays them both. We called Joey Mazzarino, our head writer, who's a very good puppeteer as well. He agreed to zip over and do Oscar.

I'm sort of killing two birds with one stone here, getting to write for 'True Blood' and being able to put myself in a comic at the same time.

My manager's biggest dream is for me to be on Letterman. She says, 'Oh, Maggie, will you promise me you'll be on 'Letterman?' What can I say? I just tell her I can't promise, but I'll try my best.

I think 'Saturday Night Live', starting in the 1970s, really gave women an outlet to be funny. A lot of those women went on to have film careers, from Kristen Wiig now to Tina Fey and Gilda Radner.

A touring band is a family and a workplace at the same time, and you're living with people you didn't necessarily choose every day for up to a year.

I am a fan of 'SNL' and a big Jimmy Fallon fan, too.

When we developed the 'Seinfeld' show, we took a bet on Jerry Seinfeld, who was not a household name. But Jerry had a voice. He was appearing on 'Late Night', on 'The Tonight Show', had some commercials out there, his voice of observational comedy, looking at the world around him, that voice was really starting to come into its own.

Making music on TV used to be as common as commercials. In the '60s and '70s, prime time was stuffed with variety shows headlined by such major and treasured talents as Carol Burnett, Red Skelton, the Smothers Brothers and Richard Pryor, who had a very brief comedy-variety hour on NBC that was censored literally to death.

When I was in high school I was a really huge 'SNL' fan. I remember the cast around the time I started watching it - Will Ferrell, Ana Gasteyer, Molly Shannon, Cheri O'Teri, Tracy Morgan. I did research to find out how people got on the show. Their bios always said they came from an improv team, so I started taking classes.

I do a show. It comes on late at night on TV. And if that means I'm a late-night talk show host, then I guess I am, but in every other regard I resign my commission, I don't care for it.

Well, basically I have a lot of friends because I've been in the business a long time and worked with a lot of people.

When I was in college, I wanted to write for 'Late Night With Conan O'Brien,' and I was an intern there.

The one show that I will continue to be a guest on is 'The Daily Show' with Jon Stewart, if he'll have me. It's not competitive with CNN and it's too much fun.

I'm glad I was born when I was. My time was the golden age of variety. If I were starting out again now, maybe things would happen for me, but it certainly would not be on a variety show with 28 musicians, 12 dancers, two major guest stars, 50 costumes a week by Bob Mackie. The networks just wouldn't spend the money today.

The good thing about 'SNL' is that it's the same people every week that you're working with, and we've all become so close and tight because we've worked together so long and so closely together.