Tommy Lee Quotes

When you're working on film music, you're only working on 20, 30-minute sections at a time.

Normally, when people compose for film, you give them the film, and they look at it, and they compose it.

I've not used a score in any of my films so far.

I would really love to do the score for movies. Pick the music and work with composers. I don't know if I'd be any good at it, but I love music.

So film music is something I absolutely wanna get involved in.

I have done songs here and there. But I have never scored a film. That is something I would like to do at some point.

I've done some music for films and I really enjoy doing it.

In the future, I kind of like the idea of doing music for film. I think that would be a nice job. I've always liked the sound aspect in movies. I guess once I have more instruments under my belt, it could be something I could do.

I had a talent for scoring films. I just developed it.

To make a film, the final big collaborator that you have is the composer.

In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel.

I would like to do more film scoring, period. Whether it is a big film, a small film, or just anything. I feel like I have a lot to learn, and what better way to do it than on the job?

I'm getting to compose music for diverse language films from all over the country.

I don't think I could make a good film, but I could definitely score a good film.

I'm a hip hop dude who loves scoring for film.

I've always wanted to go into film scoring.

I think I've done more recording in the past 10 years than most people, but it's all been directed toward film composing and soundtracks. Just the same, it's been great.

I have tremendous respect for film composers.

When I was doing 'The Sopranos', I liked putting music together with the film; that was my favorite part of it.

Music is half the film.

I wouldn't mind doing a soundtrack someday.

I'm pretty proud of my film music in general.

Jerry Bruckheimer is the most hands-on producer that I've worked with. Jerry's very involved in the music, and he's such a fan of film. When you watch him playing back the cues to the picture, he's like a kid in a candy store.

There's a lot of money in doing score music. You can get a chance to get nominated for an Oscar; I would love to get nominated again.

It's a deliberate choice. I am a fervent supporter of the idea that you don't have to have wall-to-wall music in good films.