Oneohtrix Point Never Quotes

I would really love to do the score for movies. Pick the music and work with composers. I don't know if I'd be any good at it, but I love music.

So film music is something I absolutely wanna get involved in.

When I was doing 'The Sopranos', I liked putting music together with the film; that was my favorite part of it.

I had a talent for scoring films. I just developed it.

I really wanna get my paws on scoring a film.

I've done entire scores for I don't know how many films and series. I never kept track; I suppose it's up in the hundreds.

I've always wanted to go into film scoring.

The first two projects I did out of my dorm room were mock film soundtracks.

I've been doing a lot of music for films and television for quite a few years.

I think I've done more recording in the past 10 years than most people, but it's all been directed toward film composing and soundtracks. Just the same, it's been great.

I have done songs here and there. But I have never scored a film. That is something I would like to do at some point.

A lot of the music editing job is communication and working out what a director really wants the music to be.

I've done some music for films and I really enjoy doing it.

In the future, I kind of like the idea of doing music for film. I think that would be a nice job. I've always liked the sound aspect in movies. I guess once I have more instruments under my belt, it could be something I could do.

I've not used a score in any of my films so far.

To make a film, the final big collaborator that you have is the composer.

Every time I see a film or TV show, I think about how that composer made those choices and how that director envisioned music and how that could work onstage or in a film and how you could support that even further by putting lyrics to it.

There's a lot of money in doing score music. You can get a chance to get nominated for an Oscar; I would love to get nominated again.

It's a deliberate choice. I am a fervent supporter of the idea that you don't have to have wall-to-wall music in good films.

Working in Hollywood for the orchestra world is a very time consuming and laborious job.

I would like to do more film scoring, period. Whether it is a big film, a small film, or just anything. I feel like I have a lot to learn, and what better way to do it than on the job?

I tend to spend quite a lot of time on the film scores that I do.

I'm getting to compose music for diverse language films from all over the country.

After 1999, I thought that I needed a break. As a senior composer, I didn't like the trend of three music directors working on a single film. But after a few quiet years, I was back for good.

Well I think usually I would do six or even 10 scores a year. Some are big films and some are not.