Michael Scott Quotes

I've published over 100 books - and that is divided about 50/50 adult and young adult. Lately, I have been writing more YA, which is such a great genre to write it. I don't have a favourite (I usually say it's the last book I've written), but certain books do stick in the mind. My very first YA novel, The Children of Lir, will always be special to me, and, of course The Alchemyst because it was a series I'd wanted to write for ages.

I started writing when I was twenty. My first book came out when I was thirty-five. But I never expected that it would happen quickly.

When I first started writing, I wrote a book called 'Bruiser,' and it was pretty much set in Chicago.

I believe in all of these Irish myths, like leprechauns. Not the pot of gold, not the Lucky Charms leprechauns. But maybe was there something in the traditional sense? I believe that this stuff came from somewhere other than people's imaginations.

My first four books were not published because nobody wanted them. They were adult books, not kids' books.

I reckon I can count on 30 more writing years, averaging a book a year (I can't keep up the 2-2.5 a year I used to do these days). And these days I've gotten round to wondering, for each new idea, "do I want to be remembered for this?" before I get to the point of spending a year on it.

I was going to write a book one day and I actually did. To have it is a major accomplishment for me.

Writing a book is like an unknown abyss, every time. Every book is different. Contrary to what unpublished writers think, it's horrible to have a book out.

The only two kinds of books could earn an American writer a living are cookbooks and detective novels.

I notice that I only publish once every four years. It takes a couple of years to write a book and then, for me, for one reason or another, it usually takes about a year of sort of dicking around before I start up. I write a review or little magazine pieces and touring with the other book. But mainly it's just you're not ready, I'm not ready to start another. You're just not up for it.

I'm not interested in writing for adults. I like them as people! I don't like the way they publish books in that world. Nothing ever gets a chance.

Writing, and especially writing a novel, where you get to sit in a room by yourself with either a pen and a paper or a computer for a couple of years, is a very solitary occupation. You can read sales figures - a hundred thousand books sold, half a million books sold - but they are just numbers.

I should say that I'm not conscious of any particular style or any particular literary device when I am writing. I have written 22 books, and they are all very different. I have tried all kinds of genres.

I remember Stephen King did a fundraiser one time with J.K. Rowling and he was very impressed with her. But we talk a lot about publishing, bookselling, and book writing. He's been around for ten years longer than me and was a bestseller right off the bat. And he's seen and done everything. It's rare to be with somebody who has been through all of that.

I didn't write professionally at first. It took me nine years to get anything published. At the beginning I mostly wrote picture books, which were rejected by every children's book publisher in America. The first book of mine to be accepted for publication was ELLA ENCHANTED, and not one but two publishers wanted it. That day, April 17, 1996, was one of the happiest in my life.

I always wanted to be a writer since I was around 12 years old and I wrote my first book.

Fairies in Ireland are sometimes as big as we are, sometimes bigger, and sometimes, as I have been told, about three feet high.

Writing a book isn’t an easy process nor is it always enjoyable, but it is one of life’s most satisfying achievements.

When a man publishes a book, there are so many stupid things said that he declares he'll never do it again. The praise is almost always worse than the criticism.

[A] couple I had known - who were old friends - asked me what I was going to work on next. I told them I wanted to write a near future book about AIDS concentration camps. They were vehement in their response: they thought it was a terrible idea. Their words both shocked and saddened me. "Do you really want to write a book about homosexuals?" they asked me. "Won't people who read your work be influenced toward sin?" I notice that I don't hear from them much lately.

Ten years from now I plan to be sitting here, looking out over my land. I hope I'll be writing books, but if not, I'll be on my pond fishing with my kids. I feel like the luckiest guy I know.

I do not enjoy the promotional side of being a writer, to be blunt about it. Even with the little amount that is expected of me, which is nothing compared to the life of an artist. Writers can live in obscurity and come out of the woodwork with a book, then go back in. Artists don’t have that luxury.

A lot of readers ask me, "Do you ever get emotional while writing the book?" or "Did you cry when you killed this character?" And the truth is, no, I didn't. That's not really the way I approach it. I don't get emotional while writing, but then there are plenty of other authors who do.

I think you could say every pastor is writing this book, Max on Life; for many it just never gets published. All I did was collect a few of the questions I've been asked through the years, write up a brief response and put them in this publication.

Ireland is a land of poets and legends, of dreamers and rebels. All of these have music woven through and around them. Tunes for dancing or for weeping, for battle or for love.