John D'Agata Quotes

I resist the idea that travel writing has got to be factual.

The filmmaker is not telling you what to think.

I don't know what people think they're trying to do with literary novels, but they're trying to do something. They're trying to change the world, although that's so crazy. That's just delusional. But I recognize that it's crazy. It will be a little dinky change.

I do think the author ought to be able to give a good reason for the way things are in his poem. Not a bad question to ask oneself.

It's clear the media, of course, always gives you the bad news. And people who rely on the media, like Mr. Trump, think that everything is a disaster. The media always tries to make everything into a disaster, but it's mostly rubbish. It's a point of fact that we're doing extremely well.

Americans give you the violence, Europeans give you the sex. I think people have been saying that since the 70s. And I think it's kind of pathetic that Americans are still stuck - on the shock value of violence, when sex is such a natural thing for everybody.

There's a lot of things that I've done to stick into the box set. You never have it this good. I think people should bargain. They shouldn't just buy the set, it's a little expensive [anyway]. But they should say - I'll give them dialogue, I'm a good writer.

Seeking is a combination of emotions people usually think of as being different: wanting something really good, looking forward to getting something really good and curiosity. Seeking gives you the energy to go after your goals.

The Bible says that when we obey God’s commands, we benefit. I think we naturally assume that if we look out for our own interests and concerns, we will be happy. But people who sacrifice for others will tell you that seasons of giving are the most rewarding of their lives.

Fear of what other people will think is the single most paralyzing dynamic in business and in life. The best moment of my lifewas the day I realized that I know longer give a damn what anybody thinks. That's enormously liberating and freeing, and it's the only way to live your life and do your business.

I consider what I do on Deadspin to be based in the foundations of journalism, yes, based on the foundations of journalism that I have been trained and that I certainly use when I write for GQ and The New York Times and so on. Certainly, I think the language can be a little looser on the web, but I am held to the same standards and accuracy everyone else is.

I don't know what the definition of a short story is, and I don't even care to answer that question. That's something somebody in academia would think about. I just want to tell a story, and if people listen, and if it stays with you, it's a story.

It's always better to shock people and change people's expectations than to give them exactly what they think you can do.

I think, about the distinction between fiction and nonfiction. Fiction is not really about anything: it is what it is. But nonfiction - and you see this particularly with something like the BBC Samuel Johnson Prize for Non-Fiction - nonfiction we define in relation to what it's about. So, Stalingrad by Antony Beevor. It's "about" Stalingrad. Or, here's a book by Claire Tomalin: it's "about" Charles Dickens.

I think I've done a lot of movies that people would like to have seen a sequel to. But I grew up in a time when we didn't do sequels. You just did a movie because you wanted to do a movie and you wanted to tell a story. It wasn't to build a franchise.

I'm intensely anxious to preserve the freedom that gives you the right to think and to act and to talk as you please. That I think is essential to happiness and the life of the people.

People who feel the world is tilted against them will spawn the kind of hatred that is very dangerous for all of us. I think it's a healthy sign that there are demonstrators in the streets. They are raising the question of 'is the rich world giving back enough?'

Just the fact that Hilary Clinton won the popular vote by such a large number gives some validation to the impulse to stand firm. If we don't, I think within a year administration is pretty much going to dismantle American society as we've known it. I'm not sure that we're able to stop it from happening, but I don't think people should just roll over and passively watch it happen.

I think there are always gonna be challenges and people throwing themselves at you in a nondiscreet way. But it's just so public now that you have to be careful saying hi or giving somebody a hug, because then somebody will turn it into something else.

Some of the commercial work I do is helping people to improve their presentations and add some design thinking. There are so many amazing things in science, and such great data, which can often be locked away. It's in the minds of these amazing practitioners, who can't necessarily express what they want in a visual way.

I think that, if we do anything in a positive sense for the world, is provide one little bit of context, that's very specifically focused, and hopefully people can add to their entire puzzle that gives them a larger picture of what it is that they see.

At the time, I used to say, "We should market this like Everybody Loves Raymond. It's just a guy dealing with his family." Instead, it was irresistible to show all these funny people. So, I actually think this could be more inviting to a new audience because they can just watch one character, find out what's going on in his life, and then meet another character and find out what's going on in her life, and then see how it intersects the other one.

Everybody's been decrying the death of movie theaters for decades and, you know, people are still going to the movies in droves. It's gone down, but it hasn't gone down that much. I think the biggest change has been the emergence of cable and streaming on television. That has really had a dramatic effect, and I think it's a positive one. I think there's really good work going on there, and as movies stratify to being these gigantic tentpole movies, and small movies, I think it gives another outlet for character-driven material.

Most people think of success in terms of getting; success, however, begins in terms of giving.

You can't change the way people think, all you can do is give them a tool, the use of which will change their thinking.