Thomas Middleditch Quotes

I wrote on a show called Johnny Bravo when I was at Hanna-Barbera.

I love Turner Network television; I love Adult Swim. That's actually how I got my start on Cartoon Network was through Adult Swim, originally. I had a special appearance on 'Aqua Teen Hunger Force!'

Jim Henson once allowed me to visit the Muppets on set and spent an entire day showing me how he and the other puppeteers performed Kermit and all the characters! After that, I was lucky enough to work with both George Lucas and Steven Spielberg on many fun animation projects and learned so much from them.

Maybe I'll just become a cartoon character because there's nothing left for me to do in an R-rated comedy.

The neatest thing about television is that they write for you... They find out what you can do, what you do best, how it works, and how they can use you.

I started working at Hanna-Barbera in '92 on 2 Stupid Dogs.

As a kid, I just loved cartoons. And as the credits went by, I'd study those names and then try to figure how I could get hired to do what Mel Blanc and Daws Butler did. Create all of these great voices for animated characters.

What's kind of wonderful about being the voice in an animated film is you're a small part of an enormous production. And in a way, you get to remain a little bit objective.

I feel that 'Person of Interest' is the same quality as 'Brotherhood.' I think it's one of the smartest network television shows on the air today. The audience is a wide range of individuals.

I've been able to work with some incredible voice talent, most of whom I grew up hearing in my favorite cartoons.

Yeah, I think we did the term Muppets before we got the show Sam and Friends - a few months after I started working.

My very first professional job was a cartoon, doing voices for the Mr. T cartoon in high school.

I really like writing television, and I like the collaborative writers room feeling. It's ten people, and you're together every day laughing your heads off.

I am one of the new characters in the brand new series of 'Postman Pat.' It has been a joy to do.

It's a part of most actors to want to be in an animated feature; to extend the legacy of your career.

Acting is a plum gig, and then animation is an even more plum gig.

One of the great things about doing series television is the guest actors that you can have come on and play around with.

In television writing, even if you're running the writers room, it's a writers room.

Andy Serkis is one of the best actors I have ever worked with. He might be the best actor I have ever worked with.

I'd been working with Chuck Lorre since the dawn of time, starting with 'Dharma and Greg,' so when I get a call about a really cool opportunity to work with him, I say yes, even before I know what it is.

I don't do a lot of strategizing, career-wise. I was approached by Chris and Phil, the guys who did 'The Lego Movie.' They gave me my first job on 'Clone High.' We've been friends forever, and they asked me if I wanted to write something with them.

I remember trying to stay up late and catch as much 'Beavis and Butt-Head' as I could, and then 'King of the Hill.'

I'm very lucky. I do voiceovers, 'Family Guy,' on and on, and quite frankly, I'm one of the luckiest actors in the world. I was able to create a character who became iconic.

I started out as a producer. and I used to work at Disney. and I worked with a lot of the animators and went on to become great friends with a lot of these guys and worked on a lot of projects together.

I wrote for 'King of the Hill' for three seasons.