Jodi Lyn O'Keefe Quotes

I loved doing 'Gilmore Girls.' I love Amy Sherman-Palladino. I'd do anything with her.

I'm not a Larry David. I don't have a 'Curb Your Enthusiasm' and a 'Seinfeld' in me.

I will very happily grow old in the comedic world of Tina Fey and Robert Carlock, if they would keep having me over and over.

I'd worked with Matt Strevens on 'Adventure in Space and Time' and he's a great friend of mine.

Writing 'Father Ted' with Arthur Mathews was like being hooked up to a drip full of endorphins.

I've written for the last 15 years on TV shows, but now I'm doing the new Charlie Sheen program, 'Anger Management.'

The director in TV and the writer and the creator are working very much hand in hand.

'Let's Get Harry' was where I met Bob Singer and worked with him for the first time, and then 'Reasonable Doubts' was the second time, and there was a thing after that called 'Charlie Grace' that was the third time. I liked working with Bob. A nice man and a good partner.

One of the things I really love about TV is this symbiotic relationship you can get between the writers and the actors, and the characters start to come to life because you start to collaborate.

I really like writing television, and I like the collaborative writers room feeling. It's ten people, and you're together every day laughing your heads off.

If the chemistry is right between star and photographer and the geometry of the pictures pleases the star, often the two people end up with a long-term professional friendship during which they continue to work together and to produce highly personal images.

I share an office with Jason Sudeikis, and I'm friends with him, so I end up writing for him a lot.

Together with script writers Syd green and Dick Hills, we worked on the comedy ideas for this series.

I am the luckiest old broad on two feet if the truth were known. It's - but it all goes back to 'Mary Tyler Moore,' 'Golden Girls,' all those - actors love to take the credit. We couldn't do it without the writers.

I always wanted to work with David Milch.

In a way, 'Lost,' or maybe TV in general, is a kind of a contract between the writers and the viewers. And the actors - of course we have a great deal to do with it - but where the drama's made, sort of where the meeting of minds is, is between those two parties: writers and audience.

I have respect for anyone who helps a creator put a great television show on the air.

I've worked with Judd since 'Undeclared,' and once you work with Judd you never stop working with Judd.

I wrote on the fourth season of 'Arrested Development.'

Working with Atanu again after 'Mayurakshi' is quite a challenge for me.

I had attraction to work with Ang Lee. I wanted to work with him.

Scott Aukerman and Judd Apatow are two people who I owe a lot to, and it's always great to work with Scott whenever I can.

I've worked with Jonah Nolan on several projects. I really love collaborating with him.

We're having such a great time on 'Nashville' that building on the relationship seemed an obvious next step. Lionsgate is the perfect home for the kind of scripted television I want to produce and direct.

Sure, I came up under Mike White, and Miguel Arteta; I was Mike White's assistant on 'Dawson's Creek.'