C. Thomas Howell Quotes

I would never butt heads with Rob Zombie. I don't know anybody that's in acting that ever butted heads with Rob Zombie. I adore Rob. I adore him. I adore working with him. I adore knowing him. I'm happy to consider myself a friend and someone who he hires. I just think he's great.

I'd work with Danny Boyle every day of the week. No matter what he was doing I would do that.

I would love to work with Tim Burton. I think we would be very good together.

I have a really good relationship with Focus Features; we had a wonderful time working together on 'Sin Nombre.'

I see my actors as my collaborators.

I worked with Mike Nichols. First time I worked with Mike Nichols, I just really loved this man.

I share a very good rapport with Shah Rukh, so I was at ease working with him, and Imtiaz is a dream director for any actor.

To work with the same director is a great feeling.

Having a connection and chemistry with a director is really key.

There's no particular method or course of action that I take in order to decide who I'm going to work with besides feeling complete and total respect and admiration for that artist.

I worked with Cameron Crowe, and I'd love to work with him again.

From an artist's point of view, I always want to work with the writers I admire.

I had a lot of fun working with John Candy. We had a pretty good rapport.

Jennifer Aniston and I have always just really gotten along well... I was just fortunate to be a good fit for parts in her films.

'Let's Get Harry' was where I met Bob Singer and worked with him for the first time, and then 'Reasonable Doubts' was the second time, and there was a thing after that called 'Charlie Grace' that was the third time. I liked working with Bob. A nice man and a good partner.

I enjoy working with Melissa a great deal. We're always looking for projects to do together. I was happy to have her do the show, because she doesn't normally do episodic unless she's starring, and I was very happy with the results.

Larry Kasdan has made some of my favorite movies of all time so just to be working with him was a pleasure. Now that I have, I not only respect his work but I just love and respect him as a person.

I feel that the critic and music director should have such a good relationship they can pick up the phone and call each other any time.

I've known Greg Berlanti from way back. I've done two shows with him, and both times, he was like, 'I've got something good for you,' and they did not disappoint.

Very, very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you work. And I prefer the latter, for obvious reasons. It's a great relief to feel that you're working with someone rather than for someone.

I love Malcolm Lee and jumped on the opportunity to work with him as a director.

As far as an actor-director connection, I think those can develop, and when they do, they're really great, and you just cultivate it like you would any relationship or friendship. If you find that something special, it helps down the line when you want to do more projects with each other.

I've worked with Tim Burton five times, and it's just like being part of a family; life doesn't get much better than that.

I loved working with Michelle Fairley.

Honestly, this will never happen because she's so much classier than me, but I would love to work with Sofia Coppola.