Pippa Evans Quotes

A play is not a play until it's performed, and unless it's a one-person play that is acted, directed and designed by the author, many other people will be deeply involved in the complicated process that leads to its performance.

A creative and artistic home is what I've been looking for in the theatre.

I'm not from a theatrical background where people do like to work it out on some stage space.

Opera is everything rolled into one - music, theater, the dance, color and voices and theatrical illusions.

I never thought I'd be one of those old hams who favours theatre over everything, but I'm getting that way. Telly and film seemed more fun when I was younger; turning left on planes and washing up in nice places. But there are things that you only learn in theatre.

Working on a play is a vibrant and collaborative business. Everyone from the choreographer to the music director to the director to the writers work together toward the same goal, and everyone chimes in on everything.

I want to toy around with producing a Broadway show.

I've just been learning how to direct my own videos, choreography, doing costumes... every creative opportunity there is with my music I've taken.

I love theatrical props: a cup filled with solid fake tea, say, or a collection of fake food, including a rubber turkey, which, during the holidays, I wrap in tinfoil so it appears to have just come out of the oven.

At Clements, I was an officer in Thespian Troupe No. 3689.

I feel like I've been marinated in Australian theatre.

The right costume determines the character, helps the actor feel who he is, and serves the story.

I'd love to teach theatre arts.

I have a theater company that I'm a part of, Colt Coeur, and they do some really rad projects.

I was never really interested in an operatic post, but I took on the Bastille because it seemed a unique opportunity to build an opera ensemble from scratch, and to deal with all the disciplines that go into opera - the music, the staging and the singing - in an interrelated way.

I like the idea of conceiving a show and putting on a show, and especially when I got to the place where I could play theaters.

It would definitely be fun to do a musical one day.

I grew up doing theatre, where I was jumping in and out of plays, year round.

I have always donned different looks going with the requirement of the roles I played.

I love live theatre, it's always thrilling and exciting.

When I was in film institute, stage plays were compulsory part of our training.

I didn't do any designs for 'My Fair Lady.'

I am not indulgent. I think constructing a scene elaborately - with art, costume, and visual drama - is not indulgence. Other people should do it, too.

When I was 17, I moved to Sydney to study set design at NIDA.

Opera is a very stimulating place to work, and I believe it offers the most intense theatrical experience possible.