Steve McQueen Quotes

I enjoy writing dialogue; it comes naturally to me.

I have tons of stuff that, you know, seems like it's a well-constructed sentence but it is not how people talk, it's how people write. So that's why I think it's sometimes easier for me to write for actors 'cause I know what's frustrating about, you know, sentences that come out just perfect. Well, who talks like that? And who of us don't overlap each other? Except on the radio, hopefully.

Speak your dialogue out loud. If it sounds like the way people talk, then write it down.

I use improvisation as a writing tool to help produce material that goes into a script, but a well-crafted script shouldn't sound scripted, and oftentimes people confuse something that looks like improvisation for what is actually a very well-written script that is well-acted.

I don't mind doing scripted material. It's actually kind of a relief, because improvising is a little bit like screenwriting on your feet.

In real life, people fumble their words. They repeat themselves and stare blankly off into space and don't listen properly to what other people are saying. I find that kind of speech fascinating but screenwriters never write dialogue like that because it doesn't look good on the page.

The actual business of writing dialogue is not thought of as a craft.

I don't write shows with dialogue where actors have to memorize dialogue. I write the scenes where we know everything that's going to happen. There's an outline of about seven or eight pages, and then we improvise it.

I'm good at coming up with wacky characters and funny dialogue.

If you have a great script and great dialogue, you don't need to improvise.

I'm acting a lot when I'm writing for other people.

Acting is probably what I'm best at, but there are certain stories kind of rattling around in my head that I like the idea of developing over time.

Reading aloud sounds like a good idea, but honestly, it doesn't work very well. Good dialogue in a book doesn't actually bear much resemblance to real-life dialogue. For example, if you've ever seen a word-for-word transcript of people talking, it doesn't read off the page very well. The trick is to make it *seem* like it's being spoken, not to make it speakable.

I wish I was one of those people who could write script after script and pages and pages. I can only aspire to do that.

I bullshit on the phone all day with a variety of people discussing various projects, and occasionally write jokes.

I'm an actor, and, beyond that, the thing I do most compulsively is writing. So I come at it very much from this sense of character. I get interested in people. And I feel confident in my capacity to absorb and manifest the characteristics of people. I have a real auditory hang-up for dialogue; re-creating the way people talk really is an addiction in my brain.

He took me from not being able to write a word in terms of writing screenplays to being the king of wooden dialogue.

If you want anybody to have a different voice, you really have to visualize and hear the voices of all these people. Sometimes when I write with specific actors in mind, it helps.

I learned to write by listening to people talk. I still feel that the best of my writing comes from having heard rather than having read.

The devil take these people and their language! They take a dozen monosyllabic words in their jaws, chew them, crunch them and spit them out again, and call that speaking. Fortunately they are by nature fairly silent, and although they gaze at us open-mouthed, they spare us long conversations.

I don't look at scripts. I just write them.

By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.

I have to go with what I do, and what I do has more to do with what people say to each other than telling a story through images. Of course, you're trying to do both. And there are some people who are brilliant at it, but I don't consider myself to be particularly good at it. My mind gets into a verbal mode.

I never write. Never! I do not even remember if I can write … This is a true freestyle in general. I put a beat, I said some stuff, I retain ideas, I do it again, with a particular intonation, I test, and especially I record live.

I'm very keen. Adaptations of other people's work, too. I got fascinated by the adaptation process, so I think that'd be a really interesting task. I would happily write original screenplays as well. I think it's become one of my favorite genres.