Gwen Stefani Quotes

I wasn't even sure I'd be able to walk. I couldn't even go outside. Maybe I was just burnt crisp from the gruelling schedule I had been keeping for years.

When I do an album I try to find a producer that's excited about something that they want me to sing, and I check with the record company to find out what they think they can sell - which is their No. 1 priority.

We've been having a great time writing for other artists in and amongst making our Bastille albums and mixtapes.

I've always wanted to produce a whole album for an artist.

'The Alesha Show' was done with production crew Xenomania, and this time, I've worked with a lot of upcoming new producers.

I think I was probably overworked. I was doing huge tours and having two days off and then going out again. It burned me out.

I think making an album is a difficult thing.

We make sure we have total artistic control with our albums. We were working with Interscope Records, and they had a hard time with us having all the control. So when we signed with Warner Bros., we told them we would be working hands-on with our producer, and they were cool with it.

And I had such a great working experience with Paul during the 'RAM' album.

When you record and tour year after year without a break, it starts to feel like you're on an assembly line.

I would like to work with Drake. It would be cool.

I'm sure most actors, after a while, get a bit jaded.

I'd love to collaborate with Frank Ocean. He's one of my favorite artists of all time.

I wanna work with my girl Maliibu Miitch. I love Maliibu. I definitely wanna work with Beyonce, Rihanna. I'm a huge fan of Rihanna and Beyonce, so that's like my dream collab.

Broken Clocks' is actually a song I produced for my boy River Tiber featuring my boy Daniel Caesar.

We just weren't a hip band. I mean we recorded our second album in Bath at a time when everyone else was recording in New York or Los Angeles.

I really believed in 2 Chainz, I really believed in Future, and I was going to the studio with them every single day.

You should be able to deliver what the artist you're working with wants.

On the low, I've been in Kanye's studio, No Name, out in L.A.

I was like, 'If I bang your thing, will you bang my thing? Will you sing on my album?' And he was like, 'Yeah, of course.' So I've got Robbie Williams on my album. Robbie Williams on grime.

Just about the entirety of the first album, 'Brown Sugar,' I wrote it, the majority of that record in my bedroom in Richmond. And all of the demos for it were done on a four-track in my bedroom. I think EMI was a little leery of me being in the studio producing it on my own, which is what I was fighting for.

When 'Ahora Me Llama' was out, I was looking for someone to do the remix. Among those people I was looking at was Anuel, who was in jail. We tried, but it was impossible to record it because of his situation.

I think, at some point in my wrestling career, I took myself way too seriously, and I took the wrestling business way too seriously. It probably helped sour me on the whole process. It probably helped burn me out.

Touring is real demanding. You swing between sadness and euphoria. But for us to cry about it isn't fair.

I think Kendrick Lamar is great. It would be cool to do something with him.