Corey Reynolds Quotes

Since 'A Dangerous Method,' I've had meetings with everyone from J.J. Abrams to the producers of 'Drive.' And they all have the same thing in common; they say: 'Wow you worked with Cronenberg.' He gave me instant film cred.

When Steven Spielberg comes calling, it behooves you to seriously consider it.

I'm just glad I got to work with the likes of Spielberg.

I got a call saying that George Lucas wanted to meet me. Of all the phone calls I've received - Oliver Stone wants to meet you; Spike Lee wants to meet you - that was the one call I never in a million years thought was going to happen.

I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'

When my stepmother had my sister, Katharine Hepburn dropped by to say hello. She came with George Cukor, who wasn't a star, but he was a famous director. He was also my grandmother's best friend, so I knew him well as a kid. But when George showed up with Katharine Hepburn, I was utterly star struck.

I met two of my movie heroes. I met Tom Hanks, and I met Steven Spielberg. Oh and Quentin Tarantino.

Being able to work on a film like 'Crazy Rich Asians' as your first role is phenomenal.

Any time someone says you have an opportunity to work with Martin Scorsese you jump at the chance.

I don't think many people can say they've been the lead in a Spielberg film and still been able to live their normal life that they had before.

Sitting at the table during Color Purple and looking up and suddenly realizing I was acting in front of Steven Spielberg, was pretty cool. It was pretty good.

Getting the call from Ridley Scott made me think that sometimes you just need to go to work.

Two of my favorite actresses are Meryl Streep and Angelina Jolie. So, I would love, love, love to work with them. But I also really love AnnaSofia Robb. There are a lot of great actresses I would love to work with.

I was working at a restaurant, I booked the role in 'Twilight,' put in my two weeks' notice, got fitted, flew to Portland, filmed, and then it started getting hype. That helped me get my foot into certain doors before the movie even came out.

It's just such an honor to say that I was in something by Steven Spielberg. I feel so blessed I got to meet such great people, and I got to go to a beautiful place, Vancouver, and I had a great time.

Once you get an offer from Steven Soderbergh, you just do anything you can to make it fit.

My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.'

The only person who can, with impunity, make the movie he wants to make, has got to be Steven Spielberg.

I would love to work with Quentin Tarantino - he's my number one. My ultimate. I would love to work with Paul Thomas Anderson, Alexander Payne - Pedro Almodovar wouldn't be too shabby. There are so many good directors, but those are some of my favorites.

I've worked with Steven Spielberg three times. I'm proud to say that I'm one of those actors that continues to get hired by the same directors.

It's rare to have even half-meaningful conversations in the film industry.

The business that people do in LA on the social level is amazing. You go to a restaurant, bump into this guy or that guy. The next day you get a call, and they want you in their movie.

Well, I wasn't just kind of standing in a queue at McDonald's and someone sat down and said, 'You're the director of a $100 million Hollywood movie.' I've been working in commercials for ten years.

I met Claxton on the set of The Cincinnati Kid.

So often, in my life, when you play a joke on another actor, you say, 'Hello? Steven Spielberg? It's for you.' What's it feel like? It's bizarre. He feels like he's a friend. He feels like he's some kid in the neighborhood who has a camera and makes films, now and then, and says, 'Would you come 'round and play?' It doesn't feel grand at all.