Warren Littlefield Quotes

'Let's Get Harry' was where I met Bob Singer and worked with him for the first time, and then 'Reasonable Doubts' was the second time, and there was a thing after that called 'Charlie Grace' that was the third time. I liked working with Bob. A nice man and a good partner.

I'm very excited to work with everybody on 'The Bridge' - the cast, the writing staff, the executive producers - the show is really good. I'm very lucky to be a part of it.

I'd love to work with Jed Whedon on 'S.H.I.E.L.D.'

'Monsters of God' isn't just a series close to my heart; it is my heart, and I am very much looking forward to working with my fantastic team in New Mexico to create a top-notch series.

Working with J. J. Abrams would be absolutely great.

I'm not desperate to stay in Formula One. It needs to be sensible and it needs to be the right deal.

I wanted to work on a cable show and with a writer/director because that's a much more fulfilling and freeing experience, as an actor.

I definitely want to start my own production company at some point. I'm actually teaming up with Funny or Die to put together a TV show right now, that I can't really talk about because it's still in the very preliminary stages, but if it pans out this will be the first project under my production company, which I have yet to name.

You never say never, but I don't think I'd want to do a long-running series.

My dad is a successful television producer, director and writer and my mom's a director and writer.

I love Rob Zombie - I'd love to work with Rob Zombie or John Cameron Mitchell.

We originally developed 'The Client List' along with Lifetime as a TV movie - my manager and I became partners on the project. Then, we brought in Howard Braunstein on the project and produced it along with Lifetime.

I mix talents and friendship, which is not very professional, but it's my way of thinking. So I love Azzedine Alaia, because I've known him for 30 years, and he's making my dresses most of the time.

Agents are deal makers, and they're really, really good at making deals. But they're also exceptionally helpful after the deal is made - agents act as a good intermediary between authors and publishers whenever disagreements come up.

Eric Bryant and Ethan Berlin, the creators of 'Bunk,' asked me to come get involved in very early process when they wanted to make a game show.

I will admit, it's so intoxicating working with Steve Carrell. Creatively and professionally.

One of the things I really love about TV is this symbiotic relationship you can get between the writers and the actors, and the characters start to come to life because you start to collaborate.

I have a contract but it's not a commitment in the ordinary sense. It's our ongoing conversation.

Deal-making goes on with any job.

I've started a company, called Tall Girl Productions, and we've got our first project that is purely producing, not writing, with a writer named Evan Daugherty. It's for NBC, it's called 'Afterthought,' and it's science fiction-ish. That's fun.

I really do not make deals.

One of the great things about doing series television is the guest actors that you can have come on and play around with.

I would love to direct a feature and have Robert Connolly produce it. That would be really fab.

I would say almost 60 percent of working with Kanye - let's say 53 percent of working with Kanye - is speeches.

I would love to work with Joss Whedon again.