Jules Feiffer Quotes

The big tradition, I think, is unity. And I have that in mind; and with that, you know, you could break all the traditions- all the other so-called rules, because they are stylistic.. and most are not true. As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist's vision.

I think perhaps I've learned to be myself. I have a theory that all artists who would be important - painters and writers - must learn to be themselves. It takes a very long time.

I don't think a songwriter should lose their mojo. In my situation, I'm one of those artists that lasts over a long period rather than have your moment and your moment is gone.

I was a voracious reader and I could never understand why comics were of any less merit or importance than any other way of writing. I think the thing that keeps me with comics is there's still so much to be done. There's still this huge unplowed field, this huge unexplored wilderness, and as long as I can keep doing new things and coming up with new things, I will.

You've got major artists releasing albums on their own and eschewing the major system. I think that breeds excitement and creativity.

I think artists can go to a level of vision that can often save us from a situation which seems to have no solution whatsoever.

I think as an artist that's the best thing you can have - a personal stamp on something.

I think nearly every artist continually wants to reach the edge of nothingness - the point where you can’t go any further.

With a film you go with the script that's already written. And I've never thought of a project, a film that would come from my own desire. I don't think I can do it. I need someone else's desire to be able to do something. With a record, it is completely different, it's a collaboration with another artist, but I'm willing to go into intimate places with no masks on.

Life and love inspire me. I think reinventing yourself is vital to your survival as an artist and a human being. I know it’s cliché to say about me at this point, but it’s true. My curiosity definitely is the driving force in my life and career. When you stop learning, engaging and growing, you’re dead.

Often people think they know what they want, but what they really want is something that's genuine. So they'll be saying, "Do another one like that," but you liked that one because it's real. So as long as I keep it real and I do something that's real to me, you're going to feel it in the same way.

Designers + artists see potential in things where others do not. I think artists in many ways are the original entrepreneurs.

The artist's life is to be where life is, active life, found in neither ivory tower nor concrete shelter; he must be out listening to everything, looking at everything, and thinking it all out afterward.

I think it's bad for human beings to be artists. It's awful. You want to do something but you're constantly trying to decide what you want to do. Let's just say it's no place like Hawaii.

Sometimes it takes a germ of an idea, which takes a long time to digest.

To be an artist is not about fame; it's about art, which is this intangible thing that has got to have lots of integrity, whereas being famous doesn't really take any integrity. But I think you have to admit that you want to be famous, otherwise you can't be an artist. Art and fame together are like a desire to live forever.

Even St. Teresa said, "I can pray better when I'm comfortable," and she refused to wear her haircloth shirt or starve herself. I don't think living in cellars and starving is better for an artist than it is for anybody else.

I love silence. And one of the paradoxes about the way I live and also about my work is that definitely one of the reasons I went into music, and especially into composing is that I love setting up an environment where I can be by myself for long periods of time and have everything as quiet as possible, either to think about sound, or to think about ideas, or just to focus on things that are important to me.

I just want to make a beautiful film. I've had it in my head for so long, so I want to try. Every now and again I get scared. And that's not really how I operate in songwriting or as Sia the artist, the singer. I don't operate from a place of fear. But this is such a new area for me. I still have some insecurity. So, like, once a week I get washed from the top of my skull down to my toes with this vomitous feeling of fear. I think, "Just don't do it. You don't have to do it. You're already a singer and a songwriter. Really, you don't have to make a movie.".

As much as I love acting and I hope to be doing it for a long time, it almost feels more natural for me to be a producer. I came into all of this because I'm a fan of movies and I wanted to find any way I could to be a part of it all. I happened to take the acting route but it could have been a million different ways in. Now that I'm producing it's just really fun for me to work with people that I really admire and put people together who I think will work well together. Just having a little more control.

I think comics overall would be better. I think there's a tremendous potential to be tapped.

Much arrogance is necessary equipment for an artist, I think. Not sufficient, but necessary. It carries one across the gaps.

Some artists go through life not realizing that they have to be happy today. They're always thinking about the next job or the next thing: "I'll get this, then I'll be happy." Then you're miserable.

If you are going to do large-scale invention, you have to be willing to do three things: You must be willing to fail; you have to be willing to think long term; and you have to be willing to be misunderstood for long periods of time.

I completely believe that - literature for me is a way of life. That's probably true of all writers or all artists. I think in the end this kind of activity absorbs one in such a way that it becomes one's way of life.