Roy Lichtenstein Quotes

The artist's duty to himself is a combination of immense responsibility and immense irresponsibility. I think those two interlock.

I think that when you're taking pictures with my principles, you can try anything. Dare to do a lot of things - dare with sexuality, dare to break taboos as long as it remains photogenic. As long as I find an elegance and beauty in it, I am not afraid to tackle anything.

If you go to a master to study and learn the techniques, you diligently follow all the instructions the master puts upon you. But then comes the time for using the rules in your own way and not being bound by them....You can actually forget the rules because they have been assimilated. You are an artist. Your own innocence now is of one who has become an artist, who has been, as it were, transmuted.... You can't have creativity unless you leave behind the bounded, the fixed, all the rules.

That's the artist's job, really: continually setting yourself free, and giving yourself new options and new ways of thinking about things.

In an atmosphere of liberty, artists and patrons are free to think the unthinkable and create the audacious; they are free to make both horrendous mistakes and glorious celebrations.

I think perhaps I've learned to be myself. I have a theory that all artists who would be important - painters and writers - must learn to be themselves. It takes a very long time.

I find that the quest to be perfect and make perfect music is like a black whole. I realize that you can come with the intention to capture a vibe and use a formula, but you have to accept that most of the time its not going to be what you envisioned and you might manifest something better. I think that's been the hardest thing to wrap my head around that most ideas we go for ends up sounding different. I think art in general should be about enjoying the process and the experience. All that matters is if you feel the music and it captures the element your going for.

I think artists can go to a level of vision that can often save us from a situation which seems to have no solution whatsoever.

Designers + artists see potential in things where others do not. I think artists in many ways are the original entrepreneurs.

I just want to make a beautiful film. I've had it in my head for so long, so I want to try. Every now and again I get scared. And that's not really how I operate in songwriting or as Sia the artist, the singer. I don't operate from a place of fear. But this is such a new area for me. I still have some insecurity. So, like, once a week I get washed from the top of my skull down to my toes with this vomitous feeling of fear. I think, "Just don't do it. You don't have to do it. You're already a singer and a songwriter. Really, you don't have to make a movie.".

If there’s a thing, a scene, maybe, an image that you want to see real bad, that you need to see but it doesn’t exist in the world around you, at least not in the form that you envision, then you create it so that you can look at it and have it around, or show it to other people who wouldn’t have imagined it because they perceive reality in a more narrow, predictable way. And that’s it. That’s all an artist does.

No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style.

There are so many rules in the art world. I don't like rules and I break them all the time. I don't care if people think I'm overexposed. What I care about is if I'm going to run out of energy. Overexposure is only a problem if you are drained of energy and cannot come up with new ideas. Every artist has to recognize that and know when to stop for a moment.

The great artist takes what he needs.

I would advise young artists to paint as they can, as long as they can, without being afraid of painting badly.

I just make what I'm making, and then one day I won't want to make it anymore. I think that's a luxury we should be able to have as people, especially as artists.

You've gotta be an outsider a little bit to shake yourself loose from the mill, the "machine." In order to even cut the space in your life to pursue what most people literally cannot afford a moment to pursue. So, yeah. I think that not only is that the role of the artist, but it might be a requirement.

I know that the gift that God gave me isn't gonna just wither up and die unless I let it die, so it's a matter of me having the faith that it's gonna come out. Whether or not the public's gonna like it is another story. But I think as long as I keep changing and sticking to what I really love - and the same goes for Steven and the other guys in the band - then people are gonna like it.

And there are certain songs that are really timepieces and shouldn't be touched. But some of them are a celebration of good humour and sensibility and I think that's okay. I don't care about the past, I'm a musician with ambition.

I think the artist's job throughout history has been to tell - to say things that people are inspired by.

If some people really see angels where others see only empty space, let them paint the angels: only let not anybody else think they can paint an angel too, on any calculated principles of the angelic.

We must grant the artist his subject, his idea, his donn´e: our criticism is applied only to what he makes of it.

I think as an actor, you're more like a dancer, and you have to use your body. I don't understand all these questions about nudity. It's a nonsense. He's an actor, an artist, so get on with it.

Everything that creative people think and do is from the heart.

Paul Robeson once said that the artist has the responsibility to either help liberate the community or further oppress it. And I think that when Eldridge Cleaver wrote it down it was interpreted as his, but there's a history of people saying things of that nature and meaning it. And what I do is in that tradition, in that mode.