Brittany Snow Quotes

These people are amazing. It's so emotional I was thinking about wearing waterproof mascara.

I just love human emotion and faces.

I think what's great about that relationship between an actor and a Director is you have to really blow away all your thing, the safety things that you put up.

A sentence is not emotional a paragraph is.

It's cool that you hear something, but what did you feel and what was your tactile and kinesthetic response to it? Those songs and creative sessions mean the most.

It was almost enough to make me feel emotion.

You know, when you've worked with somebody before and you've worked very deeply and dangerously then you start with the relaxation and the trust right away and that lets you go even deeper, which is a lovely thing.

Books are my friends, my companions. They make me laugh and cry and find meaning in life.

People are buying only one thing from you: the way the engagement (hiring you, working with you, dating you, using your product or service, learning from you) makes them feel.

Theater for me is terrifying but much more rewarding, because you know what they're seeing. Film is all little bits and pieces. And you can do an amazing job, but if the camera isn't getting it, it doesn't work. And then other times when you feel you really weren't present, and then you see it and somehow it works. So there's a mystery, there's a strange collaboration that takes place with everybody.

I'm often moved by the circumstances around some of my characters, but I don't think I've actually cried watching myself.

Friendship marks a life even more deeply than love.

I don't really feel my poems are mine at all. I didn't create them out of nothing. I owe them to my relations with other people.

When I've heard a piece of music or seen a painting that moves me, it gives me something.

There are no personal revelations other than feelings arising from the work itself

I thought, "If I can make you feel what it's like for that first super-passionate love, other people might like that too," and, of course, they did.

A lot of readers ask me, "Do you ever get emotional while writing the book?" or "Did you cry when you killed this character?" And the truth is, no, I didn't. That's not really the way I approach it. I don't get emotional while writing, but then there are plenty of other authors who do.

For me to get to work with a writer-director over time in developing a project - my investment feels much more profound. I know that whatever is on the other end I'm going to feel that much closer to.

Where war destroys, art inspires. And in order to inspire, you need to penetrate the brain. In order to penetrate the brain, you need something to react to. To have something to react to, you need to get your emotions up and running. To get your emotions up and running, you need to have something that ... whatever direction you go in, it has to be a movement between you and the experience.

You're not me. You can't feel like I feel." "I can feel." "No you can't. You just choose not to feel or something and everything's fine." "It's not fine. It's just not so bad.

Before my eyes are many miserable scenes, the suffering of others and myself forces my hands to move. I become a machine for writing.

It is always the same with me; only when I experience something do I compose, and only when composing do I experience! After all, a musician's nature can hardly be expressed in words.

His cheek twitched. With Jeremy, this was the equivalent of an emotional outburst.

I want people to FEEL something... If it's sadness, anger, horny, happiness whatever! As long as it doesn't just pass you by.

And he wishes, in the cold quiet of his archer's heart, that he himself could feel the intensity of their reconciliations as strongly as he feels that of their battles.