Miroslav Vitous Quotes

I'm just a musician and a record producer.

The very first time I ever heard anything of mine on the radio, I was in New Jersey, and I was in my teens. I did my first record, which was an old standard called 'My Mother's Eyes.' It was the old Georgie Jessel theme. I heard it on local radio out of Newark. And it was very exciting!

But I love to write music. What I would love to do is give some of the songs I write to someone like Taylor Swift because I feel like she could sing them.

It's much easier to have a diversified career as an electronic musician than it is as a drummer. Nothing against drummers. If you're a drummer, you just wait around for people to ask you to play drums. But if you have your own studio and can make music, you have the ability to approach music a lot differently.

The problem that I have is with the music business. For some reason it seems almost impossible to get anything, any music, released which includes improvisation or soloing.

I did my first recording. It was called The Champ.

I want to take Justin Bieber for a month and just lock him up in a cage where we sit and make music. He's one of the most successful people in the world, but his music could be so much tighter.

I've been doing a lot of studying singing, and I'm thinking of recording an album containing all my old war horses and putting out a songbook at the same time.

I'm a good music provider, and I'm fine with that. I'm a quality music manufacturer.

I attended a post-college program in L.A. for Music Business and Production. Took several courses involving Music Production, Arrangement, and Songwriting.

I have an independent record label called Favored Nations on which I released an album by an artist called Johnny A, who plays an arch top Gibson through a Marshall, but the tone is all in his fingers.

I love music, so if I wasn't singing, I would probably still be working in the music industry. I love songwriting, so I'd probably be a songwriter.

Music's always been at the heart of Apple. It's deep in our DNA. We've sold Macs to musicians since the beginning of Macs.

We make songs like a factory and put them out.

I believe it's possible to have hit songs and popular music that's recorded by human beings.

There was this cereal, and it had a special promotion with a CD inside the box that had a really simple music-making program on it. I got it, and that opened my mind to being able to make music on a computer and seeing all the different layers.

Music has become something different from the past, when it was one hundred per cent live. Throughout the twentieth century, it was recorded, and the medium adjusted.

I've been composing music for feature films since 2007. I've been creating music for films for 13 years and I totally enjoy and love doing that. However, I have a lot of music inside me which I want to share with you all in a different way.

For us, we make a song, and if we like it, it goes on a record.

I want to start recording and writing as soon as I can and get music that I love out as soon as possible.

For years, I wrote songs to try to get cuts or try to have hits or try to appease a label or to be famous. I was learning a lot of valuable tools about structure and how to articulate. I was getting really good at that.

Most of our artists are songwriters, so the songs are still central to all this. If you don't have great songs, it doesn't matter the marketing or how many times you are on TV; you can only polish it so much.

It is quite normal these days to record a song in the absence of the composer.

It's not the music you hear in your head that other people are going to hear. You have to be able to make it true enough to the image in your head, and that's where technique and technology come in, for sure, and knowledge. It's not true and will never be true that someone who knows nothing can sit in a basement and make great music.

Put out great music, and that's that.