Paloma Faith Quotes

When the director has a vision for a piece that I've never heard before, and they can back that up with visuals, and they talk a good game, I get really interested in the world that they're trying to create.

Everyday people are not very good designers.

One is, that they will feel about you that you're going to make something wonderful for them. And they help you by expressing themselves. Not telling you how to do it, but encouraging you and accepting your vision and working with you on that kind of a level.

I used to do design before I was actually rapping. I went to art and design high school.

I've generally got a good eye for design and proportion.

I like creating images.

The directors I respect are the ones who have a collaborative attitude, who collaborate with actors.

So yeah, a good director will be able to listen and hear everything, but have a confident vision of his own that he can say, 'oh yeah - that's a great point.' And you never know; often you can help far more than you think you can, because there's so much more that he's juggling than an actor.

I'm interested in good collaborations and in working with directors who bring something new and interesting out of you.

After that I jumped, especially being in art school, to the illustrators.

I'm like George Lucas, bringing together a creative team that will come up with a unique, well-crafted product.

When a sketch comes into this three-dimensional form and everybody contributes, it's really fantastic.

I have a longstanding fascination with visual art. I do, in fact, draw as well, as I did in 'The Summer without Men.' I also write essays about visual art.

I'm not an expert in instruments, beat programming, or electronics. For some people it's all about doing it themselves. But for me, it's all about find the people that can help make my vision come true.

The great thing about movies is that they're collaborative. And the worst thing is that they're collaborative.

That's what I've always wanted to do - work with my favorite writers and make something from scratch with them that we can feel like didn't exist before we came in the room.

A show is like it's own thing... it's a creation from so many people's talent and so much energy.

I truly believe that cinema is a collaborative effort, and as long as I get to tell, and be part of, interesting stories and work with genuine people, I don't see any project as a 'risk.'

I have been constantly working on the interiors of my homes in Delhi, Goa, Dubai, Mumbai, and the Red Chillies Building. I had been designing homes, too. Having a background in art, graphic design, and charcoal helped me in my work immensely.

I'm a big believer in building a crew. Movies are the most collaborative art form at the tend of the world, and it takes hundreds of people to make one. At the end of the day, I get the lion's share of praise or blame but everybody on the ground knows that it was all of us.

I like the idea that people get engaged thinking about design, about creativity. I don't see how it could possibly be bad.

I love design, so it's important for me to have a creative outlet.

Isn't the drawing board the place where all the best work happens? It's not a bad thing to go back there. It's the entire point.

I've always been very interested in the visual aspect of what I do.

I used to do jacket design, and I'm very conscious of covers, and probably meddle more than other authors would.