Chance The Rapper Quotes

Jeph Loeb has been great to work with, and he's been really supportive of some really bizarre ideas I've had.

You can never tell when an artist really will take up someone's work and work with it happily.

But I'm blessed to work with great people. I collaborate with brilliant stylists both here and in Paris. I work with a great design team. I really allow everyone to bring their ideas. I almost rely on them to inspire me.

The seed of an idea laying dormant in an old sketchbook is fed the missing ingredient from a new experience. Trying to share some of these experiences, some of the wonders, is one of the reasons why I do books.

There's no better feeling than just going in and just working with someone and what comes out is something that the world knows about.

I think if you speak to any creative person, there's something so powerful - so intoxicating, if you will - about discovering another voice, another instrument, another way of looking at things, another way of perceiving things.

Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.

I like working with writer-directors because you can solve problems right there.

I'm proud of 'Sinister' because Scott and Cargill did a great job on the movie, and I set up a framework for them to make what they wanted to make. They gave me the idea, and I figured out how to get it out into the world.

I'm dependent on writing for a living, so really it's to my advantage to understand how the creative process works. One of the problems is, when you start to do that, in effect you're going to have to step off the edge of science and rationality.

I don't know if it'd be any time soon but I'd really like to work on a collaboration with somebody - I always have ideas for stuff like that.

I just love working with actors, and I love working with writers, working with designers. I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter. And the rooms I tend to be in are pretty democratic, and the best idea wins.

I just want to stay creative, share my ideas and see where it all leads.

In truth, I have always been amazed by a group of people who all work toward putting one person's vision forward - that's an interesting story for me.

Like all artists, I go through creative spurts.

I always prefer shooting on locations, because when I'm at home, it's harder to sort of get lost in the world of whatever you're making. It does, it does force this bond and community amongst a group.

If you capture the first thought that you have when you're creating, and then play that to people, it's kind of like the listeners are part of that beginning. And that's the most exciting part.

There is nothing deeper than to work for a year with the same artist.

It's much like writing a screenplay with someone else and that's how we view it, I think.

One does not set out with the idea that I've just had a great idea and now I'm going to go and carry it out. Almost all art that's made like that doesn't go anywhere.

I'm like George Lucas, bringing together a creative team that will come up with a unique, well-crafted product.

Your creativity before it gets formed into words and songs is the actual substance. No one else can see it, right? Unless you give it the shape of a song or a painting or whatever.

The great thing about movies is that they're collaborative. And the worst thing is that they're collaborative.

Created stuff is meant to be shared. That’s why the creative person created it. Why else do creative people exist?

My career has gone in such a way that I've gotten to learn that, when you're working with a great storyteller, you don't ask questions; you just trust them.