Glen Mazzara Quotes

The network shows tend to be run, in general, in my experience, by committee, and it's hard for actors and writers to do their jobs.

At our best, it's a good experience but we do 22 episodes a year, so there are some clunkers.

I did a TV show called 'Unit 1.' It wasn't a bad experience, but yes, the first season I didn't have a good time because I was coming from Nicolas Winding Refn films where the corners were sharp and radical, but now we had round corners.

'Let's Get Harry' was where I met Bob Singer and worked with him for the first time, and then 'Reasonable Doubts' was the second time, and there was a thing after that called 'Charlie Grace' that was the third time. I liked working with Bob. A nice man and a good partner.

The thing about TV is it's a meritocracy. I love that aspect of it - and I've had shows that have gone on the air and been canceled. I've seen the good and the bad of it.

I'd been gearing up to working in theatre since coming out of drama school, but it was an exciting time for TV drama - it was the birth of Channel 4, and Brookside was very cutting-edge at the time.

I had a great time working on 'The Gates,' and that was my first real experience doing supernatural television, working with the special effects and everything that goes into making a supernatural show.

In my experience in series TV, if you have a good crew and a great cast, it's going to be a great group - similar to the theater where it's a bunch of people who are really talented and go to work each day and challenge each other, and if you are lucky enough to get a hit then it's five or six or seven years of this kind of work.

Most of the dialogue in 'Speed' is mine, and a bunch of the characters. That was actually pretty much a good experience. I have quibbles. I also have the only poster left with my name still on it. Getting arbitrated off the credits was un-fun.

I doubted Black-ish , and I'll tell you why. Because it doesn't matter if a writer wrote it for you. He could've written it with you in mind. But TV is a collaborative art. It involves producers, networks, studios, and many people signing off on you. And a lot of times there are deals in place - actors with studios that they're looking for shows for.

I don't want to write any more screenplays, I'll tell you that right now. It's a waste of time. You've got too many people who think they have the answer to a good screenplay and they don't. No one knows.

I am living my dream because I get to work with my kids and watch them find their happiness. It's so rewarding - we brainstorm around a conference table and have a really great time doing it.

I'm intrigued by films that have a singular vision behind them. A lot of studio movies have ten writers by the time they're done. You have a movie testing 200 times, making adjustments according to various people's opinions. It's difficult to have an undistilled vision.

Try to put well in practice what you already know. In so doing, you will, in good time, discover the hidden things you now inquire about.

I love being on sets with very seasoned directors as well as very new directors. Every time is a discovery process. You learn something new every time.

A film goes through so many hands, that by the time it's done, it might not resemble what you thought you were making.

I'm very excited to work with everybody on 'The Bridge' - the cast, the writing staff, the executive producers - the show is really good. I'm very lucky to be a part of it.

'The Golden Compass' became a bad experience because the studio didn't have faith in the strength of the ideas of the novel, which is ironic because it's one of the greatest fantasy novels ever written, if not the greatest, and they took the religion out of it and tried to turn it into a popcorn movie.

'The Bank Job' was great fun to work on. Roger Donaldson is a top director, and working on HD was a new experience. It picks up every detail, which is a blessing and a curse if you think about it.

I love the sense of how time passes when I'm acting. When you're not aware of the clock ticking, that is always a good sign you're enjoying something.

My experience has been that actors always want to be directed.

I thank Marc Jacobs so much for giving me the opportunity to design a shoe for Louis Vuitton, but the thing that broke my heart most was when they said, 'You're finished. The shoe's finished.'

These 'Supernatural' conventions are such a great time. The fan base is like none other, and I'm sure I'll never experience a fan base that support is the same with - their kind of unbridled decency towards the actors makes me not have to worry about going into the crowd.

It's always good to get a smaller tournament under your belt so that by the time you get to the Slams, you have a lot of experience.

This is one of my lesser moments, and one I'm not proud to admit to, but there's always a time I feel the need to have control over the process and try to defend the song from the person I'm writing with. It never, ever helps and always causes problems.