Rob Lowe Quotes

In television, the 60-minute series, 'The Wire' and 'Mad Men' and so on, the writer is the primary creative artist.

I did the pilot, and when they came through and said they were going to put it on the air, I had already some dates in the book with my band and so on. So Barry did the first one, he may have done a few more than the first one in the series, and I took it up from then.

I feel terrible for directors of TV because all the episodes have to look the same. They make a great series for five or six years, and then when it's canceled, they can't break out on their own.

Basicly I'm in charge of all creative aspects of the show.

When you're making a TV drama, the showrunner is God, and so however onerous and difficult and consuming that responsibility is, you're being treated with respect, so it changes your whole outlook to the production. You're being asked about costumes, set design, music, every aspect of the show.

I had no regrets when I did it, I have even less regret now because I can't imagine staying on the West Wing show and then, six weeks later, Aaron Sorkin leaving.

We had shot six episodes of the West Wing season when 9/11 happened. An extraordinary thing that would never happen today is Aaron going to the network and saying, "I think we need to go back and reshoot, I have something I want to do," and the network just kind of let him do it.

You would not believe the amount of feedback I've gotten over people binge-watching The West Wing. Most of them have binge-watched it countless times.

I've written so many things over the years that I don't want to go back to being just a scriptwriter. I'm in what I consider to be the enviable position of all I have to do is come up with the idea and write an outline that makes it seem like it's a viable idea that will interest people, and then other people write the scripts -- and I become the executive producer or the producer, depending on how much involvement I have, and I get a creative credit and then move on to the next project.

I just personally feel like the best writing for actors exists in cable television.

Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.

The script was given to me by one of my agents and they didn't tell me anything about it. My first reaction was, "The West Wing? Is it about a squadron of fighter jets?" Then I turned the page and saw, 'by Aaron Sorkin' and I knew it was going to be something good.

I got really into writing plays. I did that for years and years and got some produced and didn't like it as much when I wasn't able to control it.

Writing and directing just sort of fell into my lap.

Joss Whedon said to me, 'If you think you are taking over the show, you have got another think coming.' He said, 'You are here only because I don't want to kill a villain off every week. I want my villains to be more interesting and multifaceted and then die.'

Aaron Sorkin whole thing was that he didn't want the pomposity of the presidency in the West Wing. But once we cast Martin Sheen and we realised Martin's incredible accessibility, nothing felt pompous or aloof. If the show is about all the planets, let's end it with the sun.

I used to be an architect, so I have a series I am working on with USA Network that I created and am co-writing.

I never really watched the TV series.

I actually produced other people's vocals for a long time when I first signed my publishing deal and I had just sort of decided that I only wanted to be a writer. I would be in all of these writing sessions, and a lot of times my publisher would say, "You should get a demo singer to sing it because then it doesn't identify as a Solange song."

The three main leads [in Townies] were Lauren [ Graham] and Jenna [Elfman] and Molly [Ringwald], and then Ron Livingston was on it as well. There was a lot of people to write funny stuff for.

There are roles out there I want to play that I don't know if I'll ever get the chance to. But I'm not going to waste time waiting for those phone calls, passing up the chance to do these sorts of things. I'm more likely to go see a smaller, darker indie film, like Felony for instance, than I am to see an Avengers or perhaps even a Terminator.

I've been approached many times by many different people, and most people want to do something that I write and produce, and I'm just not into that.

my advice to every student who is trying to make a decision for the years immediately after graduation: take the opportunity that in your mind is the most rewarding, that you are most passionate about and that you find most interesting and save the rest of your life for being risk averse. Whatever you want to do, this is the time to pursue it. Twenty years from now, your freedom to take risks will be limited.

When I write something, I want the best director to direct it. And that's not going to be me.

I thought one way to try to hold on to the power was to write the script myself. That way, I could say to filmmakers, "I'm not asking you to hire me unseen. I'm just saying, 'Here's my script. Can we work together?'" So that worked out well.